Jean-Guy Caumeil (1945–2018) - Morgane au cube couleur






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
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Description from the seller
The proposed photograph is titled "Morgane in the Color Cube".
This is an art print on professional Fujifilm Museum Crystal DP II photo paper.
Dimensions 30 x 45 cm, no border.
Limited edition of 10 prints, print 2/10, unframed.
Signed by the author on the back and hand-numbered.
New print fresh from the workshop.
Studio du Trident, 1 Rue Vial, 42000 Saint-Étienne, France
The certificate of authenticity will be sent by e-mail
Jean-Guy Caumeil, photographer, still living, from Saint-Étienne, France. Creator of Studio du Trident.
The author develops a style he describes as minimalist; little or no set or accessory, the essential is in capturing an emotion in the model’s posture or gaze. He seeks to strip the scene so that the sign (punctum) is perceived and guides the viewer toward the meaning the viewer will give to the photo. The photograph is not a story or a pre-defined meaning to be seen. The photograph tells nothing, does not advocate, does not deliver a message, does not impose a point of view. Photography is a gift that allows the viewer to tell their own story, to advocate, and to read their message.
The manipulation of light is crucial for him as well as the complicity with the model. In this minimalist vein, in 2015 he began a long-running, non-exclusive collaboration with a single model.
The proposed photograph is titled "Morgane in the Color Cube".
This is an art print on professional Fujifilm Museum Crystal DP II photo paper.
Dimensions 30 x 45 cm, no border.
Limited edition of 10 prints, print 2/10, unframed.
Signed by the author on the back and hand-numbered.
New print fresh from the workshop.
Studio du Trident, 1 Rue Vial, 42000 Saint-Étienne, France
The certificate of authenticity will be sent by e-mail
Jean-Guy Caumeil, photographer, still living, from Saint-Étienne, France. Creator of Studio du Trident.
The author develops a style he describes as minimalist; little or no set or accessory, the essential is in capturing an emotion in the model’s posture or gaze. He seeks to strip the scene so that the sign (punctum) is perceived and guides the viewer toward the meaning the viewer will give to the photo. The photograph is not a story or a pre-defined meaning to be seen. The photograph tells nothing, does not advocate, does not deliver a message, does not impose a point of view. Photography is a gift that allows the viewer to tell their own story, to advocate, and to read their message.
The manipulation of light is crucial for him as well as the complicity with the model. In this minimalist vein, in 2015 he began a long-running, non-exclusive collaboration with a single model.
