Mel Ramos (1935-2018) - Martini Miss #2





€420 | ||
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€400 | ||
€180 | ||
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Description from the seller
Mel Ramos (1935-2018), Martini Miss #2, 2004.
Lithography on buff carton board in 31 colors. 67.7 x 44.5 cm on 87.7 x 58.4 cm, from an edition of 50. Signed and numbered.
Catalogue raisonné: Hilger GL 3-04
Condition: Very good condition. Illustrations are part of the condition description.
Biography
Mel Ramos (1935–2018) is regarded as one of the most significant American Pop Art artists. He became known for his humorous and provocative depictions of pin-up girls, which he often combined with branded products such as chocolate, cigarettes, or beverages. Ramos studied art at Sacramento State College in California and was closely associated with Pop Art icons such as Andy Warhol, Roy Lichtenstein, and Tom Wesselmann. His works fuse consumer critique with erotic imagery and are today represented in major museums as well as international private collections. In the art market, Ramos’s paintings and graphics attract considerable attention, particularly his limited screenprints and lithographs, which appeal to a broad collector audience.
The print has always been stored flat and will be rolled briefly only for transport.
Mel Ramos (1935-2018), Martini Miss #2, 2004.
Lithography on buff carton board in 31 colors. 67.7 x 44.5 cm on 87.7 x 58.4 cm, from an edition of 50. Signed and numbered.
Catalogue raisonné: Hilger GL 3-04
Condition: Very good condition. Illustrations are part of the condition description.
Biography
Mel Ramos (1935–2018) is regarded as one of the most significant American Pop Art artists. He became known for his humorous and provocative depictions of pin-up girls, which he often combined with branded products such as chocolate, cigarettes, or beverages. Ramos studied art at Sacramento State College in California and was closely associated with Pop Art icons such as Andy Warhol, Roy Lichtenstein, and Tom Wesselmann. His works fuse consumer critique with erotic imagery and are today represented in major museums as well as international private collections. In the art market, Ramos’s paintings and graphics attract considerable attention, particularly his limited screenprints and lithographs, which appeal to a broad collector audience.
The print has always been stored flat and will be rolled briefly only for transport.

