Lou Atmån - Ambre - sans titre 02






Over 35 years' experience; former gallery owner and Museum Folkwang curator.
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Description from the seller
This photograph from the series "Ambre" was taken by the artist in 2025. It is offered exclusively on Catawiki's site. It is available as FineArt Print on Platinum Fiber paper. This print presents the look and feel of the famous baryta paper paired with a pure white, which have made the reputation of the greatest photographers. It is a 100% cotton museum-grade paper that provides deep blacks and an exceptional color reproduction. It is particularly suited to demanding fine art photography. This signed 40x32 cm print is part of a limited edition (/25). It comes with a certificate of authenticity.
The artist has exhibited in numerous contemporary art fairs in France and abroad. Her recognized photographic work is present in private collections. She has won international awards, enabling her to gain recognition within the art scene.
Ambre series:
In an aquatic ballet, a woman with flaming hair, wearing a diaphanous dress, seems to blend with the blue and luminous water surrounding her. Each movement, full of grace, evokes a nereid dancing in the depths, where mystery and beauty mingle. The transparency of her dress caresses the water, revealing a delicate sensuality, while the light plays on her silhouette with a subtle and enchanting poetry. A suspended scene, between dream and reality, where elegance flirts with eternity.
Lou’s photographs resemble enigmas. Bodies are fragmented, blurred, they reveal themselves or hide, they play with what is known about them to tell something else. But tell what? First, impressions: in the Opaline series, the fleeting happiness of an apparition, that of a fragment of a solitary landscape stolen from darkness […] What remains of the body is really the eroticism of this skin photographed, with a lot of modesty, like a caress, delicate as a whisper. By becoming only pure form, pure image composition, its surface expresses the invisible that animates it, but refuses to name it. It merely seeks the gaze, this quest for the gaze as metamorphosis.
Hannibal Volkoff – curator of the exhibition
This photograph from the series "Ambre" was taken by the artist in 2025. It is offered exclusively on Catawiki's site. It is available as FineArt Print on Platinum Fiber paper. This print presents the look and feel of the famous baryta paper paired with a pure white, which have made the reputation of the greatest photographers. It is a 100% cotton museum-grade paper that provides deep blacks and an exceptional color reproduction. It is particularly suited to demanding fine art photography. This signed 40x32 cm print is part of a limited edition (/25). It comes with a certificate of authenticity.
The artist has exhibited in numerous contemporary art fairs in France and abroad. Her recognized photographic work is present in private collections. She has won international awards, enabling her to gain recognition within the art scene.
Ambre series:
In an aquatic ballet, a woman with flaming hair, wearing a diaphanous dress, seems to blend with the blue and luminous water surrounding her. Each movement, full of grace, evokes a nereid dancing in the depths, where mystery and beauty mingle. The transparency of her dress caresses the water, revealing a delicate sensuality, while the light plays on her silhouette with a subtle and enchanting poetry. A suspended scene, between dream and reality, where elegance flirts with eternity.
Lou’s photographs resemble enigmas. Bodies are fragmented, blurred, they reveal themselves or hide, they play with what is known about them to tell something else. But tell what? First, impressions: in the Opaline series, the fleeting happiness of an apparition, that of a fragment of a solitary landscape stolen from darkness […] What remains of the body is really the eroticism of this skin photographed, with a lot of modesty, like a caress, delicate as a whisper. By becoming only pure form, pure image composition, its surface expresses the invisible that animates it, but refuses to name it. It merely seeks the gaze, this quest for the gaze as metamorphosis.
Hannibal Volkoff – curator of the exhibition
