Antonio Lavorgna - Il Volo Negato






Holds a bachelor’s degree in art history and a master’s degree in arts and cultural management.
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€30 | ||
€25 | ||
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Antonio Lavorgna's Il Volo Negato, a 2010 iron sculpture in the Linea Plasma edition, created by cutting iron with plasma, oxidised with hydrogen peroxide and wax-fixed, measuring 39 × 50 × 18 cm, in excellent condition and unsigned.
Description from the seller
🜂 TITLE
Fragment 04 — The Denied Flight
🜃 TECHNICAL DATA
Artist: Antonio Lavorgna
Title: The Denied Flight
Technique: Plasma-cut iron, controlled oxidation (hydrogen peroxide), wax fixation
Year: 2010
Dimensions:
Base: 20 × 10.5 cm
Height: 50 cm
Width: 39 cm
Conditions: Excellent
Signature: unsigned with certificate of authenticity
🜁 DESCRIPTION
This sculpture does not simply represent a rooster.
It is a form of tension.
Made in plasma-cut iron and oxidized, the work bears on its surface the marks of time and transformation. The oxidation, achieved with hydrogen peroxide and fixed with wax, is not decoration but process: a material that evolves and is halted in its passage.
The rooster, symbol of energy and momentum, here confronts its limit.
The wings suggest flight, but the structure restrains it.
The weight at the base becomes metaphor: the human condition suspended between possibility and incapacity to act.
The work fits into the language of Transavanguardia, where gesture and symbol return to dialogue with matter, but in a contemporary and conceptual key.
It is not a decorative object.
It is a fragment of existential tension made into form.
🜂 TITLE
Fragment 04 — The Denied Flight
🜃 TECHNICAL DATA
Artist: Antonio Lavorgna
Title: The Denied Flight
Technique: Plasma-cut iron, controlled oxidation (hydrogen peroxide), wax fixation
Year: 2010
Dimensions:
Base: 20 × 10.5 cm
Height: 50 cm
Width: 39 cm
Conditions: Excellent
Signature: unsigned with certificate of authenticity
🜁 DESCRIPTION
This sculpture does not simply represent a rooster.
It is a form of tension.
Made in plasma-cut iron and oxidized, the work bears on its surface the marks of time and transformation. The oxidation, achieved with hydrogen peroxide and fixed with wax, is not decoration but process: a material that evolves and is halted in its passage.
The rooster, symbol of energy and momentum, here confronts its limit.
The wings suggest flight, but the structure restrains it.
The weight at the base becomes metaphor: the human condition suspended between possibility and incapacity to act.
The work fits into the language of Transavanguardia, where gesture and symbol return to dialogue with matter, but in a contemporary and conceptual key.
It is not a decorative object.
It is a fragment of existential tension made into form.
