Robert Gardelle (1682-1766) - Portrait einer Dame

This portrait is a fascinating example of Swiss painting in the 18th century. It was created in 1744 by Robert Gardelle (also known as Robert Gardelle the Younger, 1682–1766), a prominent Geneva painter and copper engraver of his time.

Here are some details and observations about this work:

The artist: Robert Gardelle
Gardelle was a highly sought-after portraitist of Geneva’s bourgeoisie and nobility. He spent time in Paris in Largillière’s atelier, which significantly influenced his style. His works often feature a precise portrayal of physiognomy and an elegant, but restrained rendering of fabrics.
Analysis of the painting

• The depicted figure: The lady wears clothing that was typical for the mid-18th century — rather simple, yet of high quality. The white bonnet (fichu) and the lace collar suggest a certain social status, while preserving the Protestant restraint that characterizes Geneva society of that period.

• Coat of arms (heraldic details): In the upper left corner there is a family crest. It shows a swan above a shield with five lozenges (Bustilles). This is a crucial clue to the identity of the person portrayed or her family.

• Color and light: The painting uses a dark, neutral background to direct full focus onto the face and the fine white textiles. Gardelle was known for rendering skin tones very realistically and vividly.

• The plaque: At the bottom of the frame is a brass plaque inscribed “Robert Gardelle 1744,” which directly confirms its authenticity and dating.

Context

The year 1744 falls within Gardelle’s period of flourishing creative activity. During this time, many wealthy Swiss families documented their ancestors in such portraits. The calm dignity radiating from the lady’s face is typical of early Rococo portraiture, before it became more playful and decorative in other parts of Europe.

The frame is a complimentary addition.