Lídia Vives - Flowers






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
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Description from the seller
Impression and authenticity
Fine Art print on Hahnemühle Baryta paper with an extra-bright finish.
It is delivered signed and numbered, with certificate of authenticity.
Edition
Limited edition 1/30. Size: 21 × 28 cm.
Shipping
The artwork is shipped in a rigid envelope according to destination.
The package includes cotton gloves for handling the artwork and a signed postcard.
ABOUT THE WORK — Flowers
Flowers is a self-portrait that exalts beauty as a visual and symbolic construct. The figure appears crowned with roses in full bloom and dressed with a cloak of butterflies: an intense image meticulously composed where every element reinforces an aesthetic charged with intention.
The composition evokes the imagery of modernism: ornamental exuberance, idealized nature, and a feminine presence that inhabits the decorative and the enigmatic at the same time. The butterflies — symbols of metamorphosis and transience — dialogue with the steady serenity of the flowers, creating a tension between the ephemeral and the enduring.
The restrained expression, the chromatic richness, and the opulence of textures build a nearly totemic figure, suspended between the real and the symbolic. Here, beauty is not only a visual attribute: it is a conscious, powerful, and deliberately stylized statement.
Flowers celebrates the sublime through the artificial and proposes a vision where nature reinvents itself as ornament and language.
Seller's Story
Impression and authenticity
Fine Art print on Hahnemühle Baryta paper with an extra-bright finish.
It is delivered signed and numbered, with certificate of authenticity.
Edition
Limited edition 1/30. Size: 21 × 28 cm.
Shipping
The artwork is shipped in a rigid envelope according to destination.
The package includes cotton gloves for handling the artwork and a signed postcard.
ABOUT THE WORK — Flowers
Flowers is a self-portrait that exalts beauty as a visual and symbolic construct. The figure appears crowned with roses in full bloom and dressed with a cloak of butterflies: an intense image meticulously composed where every element reinforces an aesthetic charged with intention.
The composition evokes the imagery of modernism: ornamental exuberance, idealized nature, and a feminine presence that inhabits the decorative and the enigmatic at the same time. The butterflies — symbols of metamorphosis and transience — dialogue with the steady serenity of the flowers, creating a tension between the ephemeral and the enduring.
The restrained expression, the chromatic richness, and the opulence of textures build a nearly totemic figure, suspended between the real and the symbolic. Here, beauty is not only a visual attribute: it is a conscious, powerful, and deliberately stylized statement.
Flowers celebrates the sublime through the artificial and proposes a vision where nature reinvents itself as ornament and language.
