Alejandro Gonzalez (XX) - Abstracción modular 123






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Original acrylic on canvas titled Abstracción modular 123 by Alejandro Gonzalez, 2020, 100 x 70 x 2.5 cm, an abstract depiction of architecture with a red, blue, yellow, black, green and white palette; hand-signed, includes certificate of authenticity, from Spain.
Description from the seller
Modular abstraction is a pictorial series that explores the possibilities of geometric language through repetition, rhythm, and the articulation of visual modules. Each work is built as a closed structure yet open to multiple readings, where flat shapes and defined contours compose an autonomous visual system.
Painting is presented here as a surface of inscription, where simple figures — rectangles, triangles, semicircles — assemble into unique combinations, evoking architectural structures, symbols, fragments of possible alphabets. The compositions do not reference an external reality but present themselves as autonomous entities, capable of generating meaning through formal order.
The use of restricted palettes — with one or two accent colors and neutral backgrounds — intensifies the perception of balance and contrast, while fine black lines precisely delineate the planes, reinforcing an aesthetic of restraint and clarity. The absence of textures, gradients, or volumetric effects allows each module to retain its identity, while contributing to an organic totality.
In a world saturated with images and stimuli, Modular Abstraction offers a visual pause: a contemplation of order, of boundary, of the infinite possibility hidden in the minimal. Each work is a system, a unit, a visual score that presents itself as a silent riddle for the spectator.
Single large work 100 x 70 x 2.5 cm.
Acrylic on canvas
Certificate of authenticity
2025
Modular abstraction is a pictorial series that explores the possibilities of geometric language through repetition, rhythm, and the articulation of visual modules. Each work is built as a closed structure yet open to multiple readings, where flat shapes and defined contours compose an autonomous visual system.
Painting is presented here as a surface of inscription, where simple figures — rectangles, triangles, semicircles — assemble into unique combinations, evoking architectural structures, symbols, fragments of possible alphabets. The compositions do not reference an external reality but present themselves as autonomous entities, capable of generating meaning through formal order.
The use of restricted palettes — with one or two accent colors and neutral backgrounds — intensifies the perception of balance and contrast, while fine black lines precisely delineate the planes, reinforcing an aesthetic of restraint and clarity. The absence of textures, gradients, or volumetric effects allows each module to retain its identity, while contributing to an organic totality.
In a world saturated with images and stimuli, Modular Abstraction offers a visual pause: a contemplation of order, of boundary, of the infinite possibility hidden in the minimal. Each work is a system, a unit, a visual score that presents itself as a silent riddle for the spectator.
Single large work 100 x 70 x 2.5 cm.
Acrylic on canvas
Certificate of authenticity
2025
