Luigi Rossanigo (1948) - Presenze

The proposed work is a relief metal plate (embossing done by my hand), an artist's proof numbered 1/1, measuring 30x21 cm, painted green + white - signed on the plate - with a frame of 32x23x2 cm - a piece that suits any decor.

The work will be carefully packed and shipped within 3 days with a certificate/photo signed by the artist -- ready to hang or rest --

Trackable and insured shipping - (unfortunately the photo does not render well).

For those who love the innovations of the 20th century improved in technique in the 2000s -- an intriguing and innovative work to not miss (these are works to collect, as at the moment Rossanigo remains the only artist who engages in embossing on metal -- sooner or later someone will copy it as has happened many times -- unfortunately choosing to remain an independent artist and an indefatigable researcher).

...in the slow, steady unfolding of his research, Luigi Rossanigo has followed a particular artistic formation, characterized by varied experimentation across different disciplines. From early painting experiences in which the subject was treated with direct reference to reality, the artist, in the first half of the 1970s, progressively approached an abstract conception of form, summarized in quick and blunt gesturality. This informal interval found a natural evolution in a surrealism lived with a highly personal introspective intention, among abnormal mystifications of reality, noted with the precision of an eighteenth-century traveler. Fostering simultaneously the pleasure of precious jewelry art and approaching the sculptural environment of Carrara, the versatile artist felt the need to challenge the volumetric definition of the marble block, transferring onto it the three-dimensional interpretation of the work already imagined for the aureate ornament. This path led Rossanigo to modify the painting’s structural layout, moving toward the realization of tensile structures and multi-material compounds, a new dialectic in which the agreement between painting and sculpture materialized."