Hans Sieverding (1937) - Die Stille





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Hans Sieverding (1937), Die Stille, original edition collage from 1990–2000, 92 x 72 cm framed (66 x 50 cm unframed), hand-signed, in good condition, Germany, abstract, sold by Galerie.
Description from the seller
Hans Sieverding (1937)
The Silence
Collage
92 x 72 cm (66 x 50 cm without frame)
PLEASE NOTE: The mat and frame are damaged, framed without glass.
Hans Sieverding (1949) is a German conceptual artist who works with photography, installation, film and text. In his oeuvre he investigates intensely themes such as power, identity, nationalism, migration and the role of media in shaping collective consciousness. His work is characterized by a critical, analytical approach in which historical and contemporary political issues are interwoven.
Sieverding frequently uses black-and-white photography in combination with text fragments. By bringing image and language together, he creates layered works that confront the viewer with the influence of ideology, propaganda and imagery. His practice is deeply rooted in reflection on German history and post-war European identity, but at the same time has an unmistakably international relevance.
He studied at the Hochschule der Künste in Berlin (now Universität der Künste Berlin) and participated in numerous exhibitions at home and abroad. His work is valued for its intellectual sharpness and its ability to use art as a means of social reflection.
Seller's Story
Hans Sieverding (1937)
The Silence
Collage
92 x 72 cm (66 x 50 cm without frame)
PLEASE NOTE: The mat and frame are damaged, framed without glass.
Hans Sieverding (1949) is a German conceptual artist who works with photography, installation, film and text. In his oeuvre he investigates intensely themes such as power, identity, nationalism, migration and the role of media in shaping collective consciousness. His work is characterized by a critical, analytical approach in which historical and contemporary political issues are interwoven.
Sieverding frequently uses black-and-white photography in combination with text fragments. By bringing image and language together, he creates layered works that confront the viewer with the influence of ideology, propaganda and imagery. His practice is deeply rooted in reflection on German history and post-war European identity, but at the same time has an unmistakably international relevance.
He studied at the Hochschule der Künste in Berlin (now Universität der Künste Berlin) and participated in numerous exhibitions at home and abroad. His work is valued for its intellectual sharpness and its ability to use art as a means of social reflection.

