Hans Sieverding (1937) - Aspromonte





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Hans Sieverding (born 1937) presents Aspromonte, an abstract collage, 92 × 72 cm, hand-signed, original edition, produced in 1990–2000, Germany, sold with frame by Galerie.
Description from the seller
Hans Sieverding (1937)
Aspromonte
Collage
92 x 72 cm (66 x 50 cm without frame)
PLEASE NOTE: The passe-partout and frame are damaged, framed without glass.
Hans Sieverding (1949) is a German conceptual artist who works with photography, installation, film and text. In his oeuvre, he investigates themes such as power, identity, nationalism, migration and the role of the media in shaping collective consciousness. His work is characterized by a critical, analytical approach in which historical and contemporary political issues are interwoven.
Sieverding frequently uses black-and-white photography in combination with text fragments. By bringing image and language together, he creates layered works that confront the viewer with the influence of ideology, propaganda and imaging. His practice is deeply rooted in reflection on German history and postwar European identity, but at the same time it has a distinctly international relevance.
He studied at the Hochschule der Künste in Berlin (now Universität der Künste Berlin) and has participated in numerous exhibitions at home and abroad. His work is valued for its intellectual acuity and its ability to use art as a means of social reflection.
Seller's Story
Hans Sieverding (1937)
Aspromonte
Collage
92 x 72 cm (66 x 50 cm without frame)
PLEASE NOTE: The passe-partout and frame are damaged, framed without glass.
Hans Sieverding (1949) is a German conceptual artist who works with photography, installation, film and text. In his oeuvre, he investigates themes such as power, identity, nationalism, migration and the role of the media in shaping collective consciousness. His work is characterized by a critical, analytical approach in which historical and contemporary political issues are interwoven.
Sieverding frequently uses black-and-white photography in combination with text fragments. By bringing image and language together, he creates layered works that confront the viewer with the influence of ideology, propaganda and imaging. His practice is deeply rooted in reflection on German history and postwar European identity, but at the same time it has a distinctly international relevance.
He studied at the Hochschule der Künste in Berlin (now Universität der Künste Berlin) and has participated in numerous exhibitions at home and abroad. His work is valued for its intellectual acuity and its ability to use art as a means of social reflection.

