Liubov Sergeevna Popova (1889-1924) - Composition






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Composition by Liubov Sergeevna Popova (1889–1924), oil on canvas, 51 × 37 cm, original edition, Futurism, Italy, hand-signed.
Description from the seller
Oil on canvas, without frame 51x37 cm
Conditions as reported in the lot photos.
Shipping outside the European Union is not available.
Lyubov Sergeyevna Popova, born in 1889 in the thriving textile city of Ivanovo, Russia, was not merely a painter; she was a visionary designer of form and color, a passionate theorist, and a fervent advocate of the power of art to reshape society. Her life, though tragically cut short at only thirty-five in 1924, unfolded against a backdrop of immense upheaval—the final years of Tsarist Russia, the revolution, and the birth of a new Soviet aesthetic. Born into a prosperous family—her father, Sergei Maximovich Popov, was a successful textile merchant with an innate appreciation for artistic expression—Popova enjoyed advantages that allowed her earliest inclinations toward art to blossom. This privileged upbringing provided access to high-quality training and exposure to creative possibilities, laying the groundwork for her future contributions to the avant-garde movement. Her initial training in Moscow with artists such as Stanislav Zhukovsky, Konstantin Yuon, and Ivan Dudin instilled a solid academic foundation, but it was her stay in Paris between 1912 and 1913 that proved truly transformative.
Seller's Story
Oil on canvas, without frame 51x37 cm
Conditions as reported in the lot photos.
Shipping outside the European Union is not available.
Lyubov Sergeyevna Popova, born in 1889 in the thriving textile city of Ivanovo, Russia, was not merely a painter; she was a visionary designer of form and color, a passionate theorist, and a fervent advocate of the power of art to reshape society. Her life, though tragically cut short at only thirty-five in 1924, unfolded against a backdrop of immense upheaval—the final years of Tsarist Russia, the revolution, and the birth of a new Soviet aesthetic. Born into a prosperous family—her father, Sergei Maximovich Popov, was a successful textile merchant with an innate appreciation for artistic expression—Popova enjoyed advantages that allowed her earliest inclinations toward art to blossom. This privileged upbringing provided access to high-quality training and exposure to creative possibilities, laying the groundwork for her future contributions to the avant-garde movement. Her initial training in Moscow with artists such as Stanislav Zhukovsky, Konstantin Yuon, and Ivan Dudin instilled a solid academic foundation, but it was her stay in Paris between 1912 and 1913 that proved truly transformative.
