MIQUASEO - The Divine Touch VS Homeless






Holds a bachelor’s degree in art history and a master’s degree in arts and cultural management.
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€340 | ||
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Miquaseo, signed and numbered 16/25, The Divine Touch VS Homeless, a 145 by 85 cm digital print on Plexiglas (PMMA) 5 mm dated 2025, in original condition.
Description from the seller
Miquaseo (France, contemporary) — The Divine Touch VS Homeless — Numbered edition 145x85 cm — Plexiglass — Signed & numbered
Artist: Miquaseo (France, contemporary artist)
Title: Tomato Soup VS Bikini
Year of creation: 2025
Technique: High-definition print on plexiglass (PMMA) 5 mm
Format: 145x85 cm (signed and numbered 16/25 - delivered with official certificate of authenticity)
Provenance: SPACE Art Gallery — Saint-Paul de Vence (France), directly from the artist
Condition: Gallery exhibition piece — perfect condition
Official artist Instagram page: @miquaseo.art
The artwork is delivered ready to hang with an aluminum mounting system with a slight offset from the wall (~1 cm) for a premium contemporary look.
The work is created using a contemporary mosaic technique composed of thousands of meticulously assembled contemporary art images.
High-definition print on plexiglass (PMMA) 5 mm, glossy finish with visual depth and a gallery-like effect.
The work is entirely created without artificial intelligence: each composition is built, adjusted and balanced manually by the artist.
Description of the work:
An absolute icon of the Renaissance, Michelangelo’s The Creation of Adam embodies the sacred connection between man and the divine, through the suspended gesture of two hands on the point of touching.
With The Divine Touch VS Homeless, this universal image is reinterpreted as a mosaic, composed exclusively of scenes of precarity, poverty, and lives on the margins.
Each fragment reveals faces, bodies and situations often invisible, bearing witness to a contemporary social reality.
When assembled, these images of misery reconstitute one of the most famous gestures in art history, creating a powerful contrast between spiritual ideal and human abandonment.
Printed on plexiglass, the work gains depth, brilliance and modernity, offering a contemporary and design-forward presentation that reinforces the visual impact of the message.
From a distance: the purity and solemnity of a timeless masterpiece.
Up close: a direct confrontation with human fragility and social urgency.
Each piece is a signed and numbered artwork, produced in a limited edition, affirming its exclusive character and artistic reach.
Seller's Story
Miquaseo (France, contemporary) — The Divine Touch VS Homeless — Numbered edition 145x85 cm — Plexiglass — Signed & numbered
Artist: Miquaseo (France, contemporary artist)
Title: Tomato Soup VS Bikini
Year of creation: 2025
Technique: High-definition print on plexiglass (PMMA) 5 mm
Format: 145x85 cm (signed and numbered 16/25 - delivered with official certificate of authenticity)
Provenance: SPACE Art Gallery — Saint-Paul de Vence (France), directly from the artist
Condition: Gallery exhibition piece — perfect condition
Official artist Instagram page: @miquaseo.art
The artwork is delivered ready to hang with an aluminum mounting system with a slight offset from the wall (~1 cm) for a premium contemporary look.
The work is created using a contemporary mosaic technique composed of thousands of meticulously assembled contemporary art images.
High-definition print on plexiglass (PMMA) 5 mm, glossy finish with visual depth and a gallery-like effect.
The work is entirely created without artificial intelligence: each composition is built, adjusted and balanced manually by the artist.
Description of the work:
An absolute icon of the Renaissance, Michelangelo’s The Creation of Adam embodies the sacred connection between man and the divine, through the suspended gesture of two hands on the point of touching.
With The Divine Touch VS Homeless, this universal image is reinterpreted as a mosaic, composed exclusively of scenes of precarity, poverty, and lives on the margins.
Each fragment reveals faces, bodies and situations often invisible, bearing witness to a contemporary social reality.
When assembled, these images of misery reconstitute one of the most famous gestures in art history, creating a powerful contrast between spiritual ideal and human abandonment.
Printed on plexiglass, the work gains depth, brilliance and modernity, offering a contemporary and design-forward presentation that reinforces the visual impact of the message.
From a distance: the purity and solemnity of a timeless masterpiece.
Up close: a direct confrontation with human fragility and social urgency.
Each piece is a signed and numbered artwork, produced in a limited edition, affirming its exclusive character and artistic reach.
