Mario Schifano (1934-1998) - Esterno





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Mario Schifano's Esterno is a limited edition serigraphic artwork on paper, 70 x 100 cm, in blue and green, signed by hand, from 1996, with a pencil signature and dry stamp on the lower left and right respectively, certificate of provenance included, unframed.
Description from the seller
Graphic work by Mario Schifano.
Enamel-inspired screen print on paper with 30 color passes.
Title: Exterior
Dimensions cm. 70 x 100
Year 1996
Edition number bottom left, pencil signature and dry stamp Schifano bottom right.
Published in the fourth volume of the Graphic Works 1996/97, Torcular Editions. The catalog includes all graphic works created by the master between 1996 and 1997.
Certificate of provenance included.
Unframed.
The sheet is in excellent condition; it shows no foxing or other.
Artwork for sale for the European Community market only.
Mario Schifano (1934-1998) was one of the most important Italian artists of the postwar period.
Associated with Pop Art, he worked across painting, photography, cinema and music. After an informal beginning, in the 1960s he approached advertising language and the mass media, producing iconic works and reinterpretations of famous brands and cultural symbols, exploring video technologies, drugs, and
Graphic work by Mario Schifano.
Enamel-inspired screen print on paper with 30 color passes.
Title: Exterior
Dimensions cm. 70 x 100
Year 1996
Edition number bottom left, pencil signature and dry stamp Schifano bottom right.
Published in the fourth volume of the Graphic Works 1996/97, Torcular Editions. The catalog includes all graphic works created by the master between 1996 and 1997.
Certificate of provenance included.
Unframed.
The sheet is in excellent condition; it shows no foxing or other.
Artwork for sale for the European Community market only.
Mario Schifano (1934-1998) was one of the most important Italian artists of the postwar period.
Associated with Pop Art, he worked across painting, photography, cinema and music. After an informal beginning, in the 1960s he approached advertising language and the mass media, producing iconic works and reinterpretations of famous brands and cultural symbols, exploring video technologies, drugs, and

