Antonio Calderara (1903-1978) - Orizzonte Bicromo





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Antonio Calderara’s Orizzonte Bicromo, a 1971 silkscreen in Minimalism, is hand signed and in excellent condition, measuring 33.5 cm by 18.3 cm, Italy origin, edition 4/49.
Description from the seller
It is a serigraph. It is in very good condition. It is signed and dated in pencil in the back.
Overall page is 33.5 cm x 18.3 cm and footprint is 17.4 x 6 cm.
It is in excellent condition
Antonio Calderara (1903-1978) was an Italian painter known for his abstract and minimalist works, which focused on the interactions of color, light, and space. Initially influenced by the landscapes and light of his native Lombardy,
"Orizzonte" (Horizon), exemplifies his abstract period, where he explored the theme of the horizon line as a demarcation between space and light. These works are characterized by their simplicity, precision, and the subtle gradation of colors, aiming to evoke the ethereal and infinite nature of the horizon. Calderara's interest in the horizon line was not just as a physical boundary but as a philosophical and perceptual one, seeking to capture the essence of light and the immateriality of space.
The information from the editor Hans Moller was included just as a reference for information purposes only. Edition 4/49
It is a serigraph. It is in very good condition. It is signed and dated in pencil in the back.
Overall page is 33.5 cm x 18.3 cm and footprint is 17.4 x 6 cm.
It is in excellent condition
Antonio Calderara (1903-1978) was an Italian painter known for his abstract and minimalist works, which focused on the interactions of color, light, and space. Initially influenced by the landscapes and light of his native Lombardy,
"Orizzonte" (Horizon), exemplifies his abstract period, where he explored the theme of the horizon line as a demarcation between space and light. These works are characterized by their simplicity, precision, and the subtle gradation of colors, aiming to evoke the ethereal and infinite nature of the horizon. Calderara's interest in the horizon line was not just as a physical boundary but as a philosophical and perceptual one, seeking to capture the essence of light and the immateriality of space.
The information from the editor Hans Moller was included just as a reference for information purposes only. Edition 4/49

