Antonio Yera

Selection of Prints & Limited Editions

This etching and intaglio work by Walter Valentini is the book’s laid-open cover: Dolce chiara è la notte e senza vento, 1997 signed in pencil by the artist.
The work can be framed in its full length or folded back on itself.

Walter Valentini (Pergola, 22 October 1928 – Milan, 20 May 2022) was an Italian painter, sculptor and engraver, internationally recognized in the field of graphics and printmaking.

He was a master of techniques such as etching, aquatint, drypoint, multi-color lithography, and calcography.

Questa opera all acquaforte e calcografia di Walter Valentini è la copertina stesa del libro: Dolce chiara è la notte e senza vento,1997 firmato a matita dall'artista.
L'opera si può incorniciare in tutta la sua lunghezza o ripiegare su se stessa.


Walter Valentini (Pergola, 22 ottobre 1928 – Milano, 20 maggio 2022) è stato un pittore, scultore e incisore italiano, riconosciuto a livello internazionale nel campo della grafica e dell'incisione.

Era maestro di tecniche quali l'acquaforte, l'acquatinta, la puntasecca, la litografia a più colori, la calcografia.

Our expert provides this estimate to guide you when you’re bidding. It’s based on expected demand and the unique characteristics of the object, like quality, rarity, or ownership history. We can’t guarantee the object will sell, resell or be appraised for this amount.

Walter Valentini (1928) - Leopardi Valentini

Lithograph, Mixed technique, Etching, Aquatint - Hand signed - 1997

Italy

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Walter Valentini, Leopardi Valentini, 1997, a limited edition print in mixed media (acquaforte, acquatinta and lithography) with black, white and gold, 35 × 59.5 cm, Italy, depicting architecture and signed by hand, in good condition.

Walter Valentini (1928) - Leopardi Valentini

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Walter Valentini, Leopardi Valentini, 1997, a limited edition print in mixed media (acquaforte, acquatinta and lithography) with black, white and gold, 35 × 59.5 cm, Italy, depicting architecture and signed by hand, in good condition.

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