Michelangelo Pistoletto (1933) - L'acquario





€3 | ||
|---|---|---|
€2 | ||
€1 |
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 134364 reviews
Rated Excellent on Trustpilot.
Michelangelo Pistoletto, L'acquario, a 1976 limited-edition offset print from Italy, depicting a portrait in contemporary style, edition 181, framed, in excellent condition, hand-signed by the artist.
Description from the seller
Michelangelo Pistoletto (Biella 1933)
"Acquario"
Series: "Lo Zodiaco" - Bolaffi Arte, 1976 (supplement to issue no. 57 of Bolaffi Arte magazine; distribution restricted to the "Club dei 5000" Bolaffi)
Photolithographic reproduction in 4 colors (offset) from the original work on laminated paper
Copy no. 181 (references on back)
Autographic signature of the author and publisher stamp on the front lower left
Dimensions of the work: 28 x 20 cm; frame dimensions (modern wood): 43 x 36 cm
Photographic collaboration: Paolo Mussat Sartor; print: Ages Arti Grafiche, Turin
The image shows a typical visual device of Michelangelo Pistoletto: the play between reality and representation. A man (the artist himself) observes a photograph which in turn constructs a second level of image, creating an effect of doubling, reflection, and perceptual ambiguity. The reference to the "mirror", central to his research, is here translated in photographic and reproducing terms.
Excellent condition
Michelangelo Pistoletto (Biella 1933)
"Acquario"
Series: "Lo Zodiaco" - Bolaffi Arte, 1976 (supplement to issue no. 57 of Bolaffi Arte magazine; distribution restricted to the "Club dei 5000" Bolaffi)
Photolithographic reproduction in 4 colors (offset) from the original work on laminated paper
Copy no. 181 (references on back)
Autographic signature of the author and publisher stamp on the front lower left
Dimensions of the work: 28 x 20 cm; frame dimensions (modern wood): 43 x 36 cm
Photographic collaboration: Paolo Mussat Sartor; print: Ages Arti Grafiche, Turin
The image shows a typical visual device of Michelangelo Pistoletto: the play between reality and representation. A man (the artist himself) observes a photograph which in turn constructs a second level of image, creating an effect of doubling, reflection, and perceptual ambiguity. The reference to the "mirror", central to his research, is here translated in photographic and reproducing terms.
Excellent condition

