August Audenaert (1842-1953) - A Walk Through The Fields





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A Walk Through The Fields is an oil painting by Belgian artist August Audenaert (1842–1953), dated 1907, from the 1900–1910 period.
Description from the seller
RURAL ROAD WITH FIGURES AND FLOWERS
-August Audenaert (Saint-Gillis-Waas, 1842 - Melsele, 1953)
-Oil on re-lined canvas
-Signed and dated in the lower left corner
-Measurements: 70 x 77 cm
-Work sold without frame
-Condition: acceptable, with severe restorations visible
-New framing recommended to suit buyer’s taste
-- The work will be professionally packed using custom packaging and sent insured to any international destination
-- We work with a specialized logistics center, with preparation and distribution approximately within 3 days once payment is confirmed
1. IDENTIFICATION
1.1. Author and subject depicted
Oil on canvas signed and dated by August Audenaert, Belgian painter active between the 19th and 20th centuries, known for genre scenes, portraits, and figurative compositions.
The work depicts a rural scene with figures on an open path: a woman and a girl carrying flowers in the foreground, and a male figure in the background carrying a sheaf on his back.
1.2. Character of the work
This is a rural genre painting, focused on everyday life, farm work, and human presence within the landscape.
The scene has a narrative and melancholic character, with a simple yet expressive composition, where the figures seem to move forward in silence under a wide sky and soft light.
2. ARTISTIC DESCRIPTION
2.1. Overall composition
The composition is organized along a diagonal path that traverses the landscape and guides the eye from the main figures toward the background.
On the left side, the woman and girl advance with bouquets of flowers, forming the emotional core of the scene. On the right, a laboring peasant figure introduces a note of effort and rural life.
The landscape unfolds in soft planes, with fields, small elevations, and a low horizon that reinforces the breadth of the sky.
2.2. Light, color, and atmosphere
The work is built with a restrained palette, of earthy tones, muted greens, soft pinks, and blue-greys.
The light is neither bright nor theatrical, but gentle and enveloping, lending the scene a serene, somewhat nostalgic atmosphere.
The contrast between the delicacy of the flowers and the roughness of the country path, between the silent presence of the figures and the open landscape surrounding them, stands out.
3. STYLE, SCHOOL, AND CONTEXT
3.1. Author, training, and artistic context
August Audenaert was a Belgian painter born in Saint-Gillis-Waas in 1842 and who died in Melsele in 1953.
His training is documented at the Academy of Saint-Nicolas and at Saint-Luc in Ghent, within an artistic milieu linked to the Belgian figurative tradition of the 19th century.
He also appears connected with the teaching of A. Van Vriendt, a Belgian painter noted for historical, religious, and genre scenes.
3.2. Genre painting and rural sensibility
The work falls within European genre painting, where everyday life, the rural world, and popular scenes become artistic subjects.
In this case, Audenaert does not present a grandiose scene, but a simple and human image: figures in motion, flowers, rural work, and landscape.
The painting preserves a narrative sensibility typical of the 19th century, with particular attention to the emotional presence of the characters.
3.3. Pictorial quality and visual reading
The strength of the work lies in its ability to suggest a story without fully explaining it.
The white and pink flowers in the foreground add delicacy, while the figure loaded in the background introduces narrative depth.
The brushwork is visible, with texture on the surface and an execution that blends more worked areas with others more free and atmospheric.
4. CONDITION
4.1. Painted surface
The work presents an acceptable state, with severe restorations visible, retouching, wear, surface irregularities, craquelure, signs of intervention, and punctual losses or alterations.
These conditions form an important part of the description and must be taken into account by the buyer.
Despite the interventions, the image retains good overall readability and maintains its compositional, historical, and pictorial interest.
4.2. Support, re-stretched, and presentation
The work has been re-stretched, with structural intervention visible on the back.
The support shows clear signs of restoration and later adaptation, compatible with an old work that has been stabilized or reinforced.
It is sold without a frame. Our recommendation is to reframe it according to the buyer’s taste, with a frame appropriate to its age, aesthetics, and material condition.
Photographs are an essential part of the description and allow assessment of the piece’s real state of conservation.
5. GUARANTEE, TRANSPARENCY, AND SHIPPING
5.1. Careful cataloging
The work is offered as oil on canvas signed and dated by August Audenaert, cataloged according to the visible signature, the information provided, its material, stylistic, and compositional characteristics.
The description of the conservation state is formulated with particular prudence due to visible restorations and the canvas re-stretching.
5.2. Photographs and description
The photographs are an essential part of the work’s description.
Due to its age, restorations, and material nature, the piece shows retouchings, wear, losses, craquelure, irregularities, and visible alterations.
No claims will be accepted for aspects described in the cataloging or visible in the provided images. Please examine all photographs carefully before bidding.
5.3. Professional packaging and insured shipping
The work will be professionally packaged using custom crating, prepared by a specialized company and managed through our logistics center.
Shipping will be insured, with particular attention to format, age, re-stretching, and material fragility of the piece.
Once payment is confirmed, the work will be prepared and distributed within approximately 3 days.
5.4. Special transport terms
Shipping can be made to any international destination.
In high-fee European zones, island destinations, remote areas, or non-EU shipments, any logistics, customs, tax, or transportation surcharges will be borne by the buyer.
The work is sold without a frame, so the buyer may later choose the most suitable framing according to their own aesthetic criteria.
6. CONTEMPLATION
6.1. A scene of transit and silence
This painting retains the charm of old rural scenes, where the road, the figures, and the landscape seem to form part of a single memory.
The woman, the girl, and the peasant move forward in silence, integrated into an open space that conveys simplicity, work, and everyday life.
6.2. Flowers, field, and memory
The flowers in the foreground provide a delicate and poetic note within a scene marked by the sobriety of the landscape.
The work invites slow contemplation, not from material perfection, but from its antique character, its visible history, and its human atmosphere.
It is an interesting piece for collectors of genre painting, Belgian art of the 19th-20th centuries, rural scenes, and older works with narrative presence.
Seller's Story
RURAL ROAD WITH FIGURES AND FLOWERS
-August Audenaert (Saint-Gillis-Waas, 1842 - Melsele, 1953)
-Oil on re-lined canvas
-Signed and dated in the lower left corner
-Measurements: 70 x 77 cm
-Work sold without frame
-Condition: acceptable, with severe restorations visible
-New framing recommended to suit buyer’s taste
-- The work will be professionally packed using custom packaging and sent insured to any international destination
-- We work with a specialized logistics center, with preparation and distribution approximately within 3 days once payment is confirmed
1. IDENTIFICATION
1.1. Author and subject depicted
Oil on canvas signed and dated by August Audenaert, Belgian painter active between the 19th and 20th centuries, known for genre scenes, portraits, and figurative compositions.
The work depicts a rural scene with figures on an open path: a woman and a girl carrying flowers in the foreground, and a male figure in the background carrying a sheaf on his back.
1.2. Character of the work
This is a rural genre painting, focused on everyday life, farm work, and human presence within the landscape.
The scene has a narrative and melancholic character, with a simple yet expressive composition, where the figures seem to move forward in silence under a wide sky and soft light.
2. ARTISTIC DESCRIPTION
2.1. Overall composition
The composition is organized along a diagonal path that traverses the landscape and guides the eye from the main figures toward the background.
On the left side, the woman and girl advance with bouquets of flowers, forming the emotional core of the scene. On the right, a laboring peasant figure introduces a note of effort and rural life.
The landscape unfolds in soft planes, with fields, small elevations, and a low horizon that reinforces the breadth of the sky.
2.2. Light, color, and atmosphere
The work is built with a restrained palette, of earthy tones, muted greens, soft pinks, and blue-greys.
The light is neither bright nor theatrical, but gentle and enveloping, lending the scene a serene, somewhat nostalgic atmosphere.
The contrast between the delicacy of the flowers and the roughness of the country path, between the silent presence of the figures and the open landscape surrounding them, stands out.
3. STYLE, SCHOOL, AND CONTEXT
3.1. Author, training, and artistic context
August Audenaert was a Belgian painter born in Saint-Gillis-Waas in 1842 and who died in Melsele in 1953.
His training is documented at the Academy of Saint-Nicolas and at Saint-Luc in Ghent, within an artistic milieu linked to the Belgian figurative tradition of the 19th century.
He also appears connected with the teaching of A. Van Vriendt, a Belgian painter noted for historical, religious, and genre scenes.
3.2. Genre painting and rural sensibility
The work falls within European genre painting, where everyday life, the rural world, and popular scenes become artistic subjects.
In this case, Audenaert does not present a grandiose scene, but a simple and human image: figures in motion, flowers, rural work, and landscape.
The painting preserves a narrative sensibility typical of the 19th century, with particular attention to the emotional presence of the characters.
3.3. Pictorial quality and visual reading
The strength of the work lies in its ability to suggest a story without fully explaining it.
The white and pink flowers in the foreground add delicacy, while the figure loaded in the background introduces narrative depth.
The brushwork is visible, with texture on the surface and an execution that blends more worked areas with others more free and atmospheric.
4. CONDITION
4.1. Painted surface
The work presents an acceptable state, with severe restorations visible, retouching, wear, surface irregularities, craquelure, signs of intervention, and punctual losses or alterations.
These conditions form an important part of the description and must be taken into account by the buyer.
Despite the interventions, the image retains good overall readability and maintains its compositional, historical, and pictorial interest.
4.2. Support, re-stretched, and presentation
The work has been re-stretched, with structural intervention visible on the back.
The support shows clear signs of restoration and later adaptation, compatible with an old work that has been stabilized or reinforced.
It is sold without a frame. Our recommendation is to reframe it according to the buyer’s taste, with a frame appropriate to its age, aesthetics, and material condition.
Photographs are an essential part of the description and allow assessment of the piece’s real state of conservation.
5. GUARANTEE, TRANSPARENCY, AND SHIPPING
5.1. Careful cataloging
The work is offered as oil on canvas signed and dated by August Audenaert, cataloged according to the visible signature, the information provided, its material, stylistic, and compositional characteristics.
The description of the conservation state is formulated with particular prudence due to visible restorations and the canvas re-stretching.
5.2. Photographs and description
The photographs are an essential part of the work’s description.
Due to its age, restorations, and material nature, the piece shows retouchings, wear, losses, craquelure, irregularities, and visible alterations.
No claims will be accepted for aspects described in the cataloging or visible in the provided images. Please examine all photographs carefully before bidding.
5.3. Professional packaging and insured shipping
The work will be professionally packaged using custom crating, prepared by a specialized company and managed through our logistics center.
Shipping will be insured, with particular attention to format, age, re-stretching, and material fragility of the piece.
Once payment is confirmed, the work will be prepared and distributed within approximately 3 days.
5.4. Special transport terms
Shipping can be made to any international destination.
In high-fee European zones, island destinations, remote areas, or non-EU shipments, any logistics, customs, tax, or transportation surcharges will be borne by the buyer.
The work is sold without a frame, so the buyer may later choose the most suitable framing according to their own aesthetic criteria.
6. CONTEMPLATION
6.1. A scene of transit and silence
This painting retains the charm of old rural scenes, where the road, the figures, and the landscape seem to form part of a single memory.
The woman, the girl, and the peasant move forward in silence, integrated into an open space that conveys simplicity, work, and everyday life.
6.2. Flowers, field, and memory
The flowers in the foreground provide a delicate and poetic note within a scene marked by the sobriety of the landscape.
The work invites slow contemplation, not from material perfection, but from its antique character, its visible history, and its human atmosphere.
It is an interesting piece for collectors of genre painting, Belgian art of the 19th-20th centuries, rural scenes, and older works with narrative presence.

