Jean-Guy Caumeil (1945–2018) - diptyque minimalisme 2






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
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Description from the seller
The proposed photograph is titled "Diptych Minimalism 2". It is a fine art print on professional Fujifilm Museum Crystal DP II photo paper. Dimensions 30 x 40 cm, borderless. Limited edition of 10 prints, 2/10, unframed. Signed by the author on the back and hand-numbered. New print fresh from the studio. Studio du Trident, 1 rue Vial, 42000 Saint-Étienne, France. The certificate of authenticity will be emailed. Jean-Guy Caumeil, photographer, still alive, from Saint-Étienne, France. Creator of Studio du Trident. The author develops a style he qualifies as minimalist; little or no set or props, the essential is in capturing an emotion in the model’s posture or gaze. He seeks to strip the scene so that the sign (punctum) is perceived and guides the reader toward the meaning the reader will attribute to the photo. The photograph is not a story or a pre-established meaning to be seen. The photograph does not tell a story, does not advocate, does not deliver a message, does not impose a point of view. The photograph is a gift that allows the reader to tell their own story, to engage, and to read their own message. The work of light is crucial for him as is the rapport with the model. In this minimalist vein, since 2015 he has begun a continuous, non-exclusive collaboration with a single model.
The proposed photograph is titled "Diptych Minimalism 2". It is a fine art print on professional Fujifilm Museum Crystal DP II photo paper. Dimensions 30 x 40 cm, borderless. Limited edition of 10 prints, 2/10, unframed. Signed by the author on the back and hand-numbered. New print fresh from the studio. Studio du Trident, 1 rue Vial, 42000 Saint-Étienne, France. The certificate of authenticity will be emailed. Jean-Guy Caumeil, photographer, still alive, from Saint-Étienne, France. Creator of Studio du Trident. The author develops a style he qualifies as minimalist; little or no set or props, the essential is in capturing an emotion in the model’s posture or gaze. He seeks to strip the scene so that the sign (punctum) is perceived and guides the reader toward the meaning the reader will attribute to the photo. The photograph is not a story or a pre-established meaning to be seen. The photograph does not tell a story, does not advocate, does not deliver a message, does not impose a point of view. The photograph is a gift that allows the reader to tell their own story, to engage, and to read their own message. The work of light is crucial for him as is the rapport with the model. In this minimalist vein, since 2015 he has begun a continuous, non-exclusive collaboration with a single model.
