Hans Sieverding (1937) - Die Stille





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Description from the seller
Hans Sieverding (1937)
Die Stille
Collage
92 x 72 cm (66 x 50 cm without frame)
PLEASE NOTE: Passe-partout and frame are damaged, framed without glass.
Hans Sieverding (1949) is a German conceptual artist who works with photography, installation, film and text. In his oeuvre he investigates topics such as power, identity, nationalism, migration and the role of media in shaping collective consciousness. His work is characterized by a critical, analytical approach in which historical and current political issues are interwoven.
Sieverding frequently uses black-and-white photography in combination with text fragments. By bringing image and language together, he creates layered works that confront the viewer with the influence of ideology, propaganda and image formation. His practice is deeply rooted in reflection on German history and postwar European identity, but also has a pronounced international relevance.
He studied at the Hochschule der Künste in Berlin (now Universität der Künste Berlin) and took part in numerous exhibitions at home and abroad. His work is valued for its intellectual sharpness and its ability to use art as a means of social reflection.
Seller's Story
Hans Sieverding (1937)
Die Stille
Collage
92 x 72 cm (66 x 50 cm without frame)
PLEASE NOTE: Passe-partout and frame are damaged, framed without glass.
Hans Sieverding (1949) is a German conceptual artist who works with photography, installation, film and text. In his oeuvre he investigates topics such as power, identity, nationalism, migration and the role of media in shaping collective consciousness. His work is characterized by a critical, analytical approach in which historical and current political issues are interwoven.
Sieverding frequently uses black-and-white photography in combination with text fragments. By bringing image and language together, he creates layered works that confront the viewer with the influence of ideology, propaganda and image formation. His practice is deeply rooted in reflection on German history and postwar European identity, but also has a pronounced international relevance.
He studied at the Hochschule der Künste in Berlin (now Universität der Künste Berlin) and took part in numerous exhibitions at home and abroad. His work is valued for its intellectual sharpness and its ability to use art as a means of social reflection.

