Hans Sieverding (1937) - Aspromonte





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Description from the seller
Hans Sieverding (1937)
Aspromonte
Collage
92 x 72 cm (66 x 50 cm without frame)
NOTE: The matte and the frame are damaged; framed without glass.
Hans Sieverding (1949) is a German conceptual artist who works with photography, installation, film and text. In his oeuvre he investigates intensely themes such as power, identity, nationalism, migration and the role of the media in shaping collective consciousness. His work is characterized by a critical, analytical approach in which historical and contemporary political issues are interwoven.
Sieverding makes frequent use of black-and-white photography in combination with text fragments. By bringing image and language together, he creates layered works that confront the viewer with the influence of ideology, propaganda and image-making. His practice is deeply rooted in reflection on German history and postwar European identity, but at the same time it has unmistakable international relevance.
He studied at the Hochschule der Künste in Berlin (now Universität der Künste Berlin) and participated in numerous exhibitions at home and abroad. His work is valued for its intellectual sharpness and its ability to deploy art as a means of social reflection.
Seller's Story
Hans Sieverding (1937)
Aspromonte
Collage
92 x 72 cm (66 x 50 cm without frame)
NOTE: The matte and the frame are damaged; framed without glass.
Hans Sieverding (1949) is a German conceptual artist who works with photography, installation, film and text. In his oeuvre he investigates intensely themes such as power, identity, nationalism, migration and the role of the media in shaping collective consciousness. His work is characterized by a critical, analytical approach in which historical and contemporary political issues are interwoven.
Sieverding makes frequent use of black-and-white photography in combination with text fragments. By bringing image and language together, he creates layered works that confront the viewer with the influence of ideology, propaganda and image-making. His practice is deeply rooted in reflection on German history and postwar European identity, but at the same time it has unmistakable international relevance.
He studied at the Hochschule der Künste in Berlin (now Universität der Künste Berlin) and participated in numerous exhibitions at home and abroad. His work is valued for its intellectual sharpness and its ability to deploy art as a means of social reflection.

