Luigi Veronesi (1908-1998) - Fotogrammi






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
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Description from the seller
Extraordinary photograph by maestro Luigi Veronesi, 37 x 28 format, mounted with a passe-partout
acid-free, 45.5 x 64.5 cm. Printed by Mario Parodi in his Genoa workshop, the photograph is in excellent condition with very light moisture stains on the sheet that supports the print.
Passe-partout and print are perfect. For refined collectors.
Luigi Veronesi (1908-1998), Milanese, a central figure of Italian abstraction. He lived in the Milanese city the creative ferment of the thirties, initially entering with figurative photographic works at the Galleria del Milione, a decisive center for the cultural, artistic, and promotional aspects of the most promising artists of those years. He then moves toward abstraction in the early thirties, joining the 1935 exhibition of abstract art in Turin at the studios of Felice Casorati and Enrico Paolucci. As early as 1934 he joined the Paris group Abstraction-Creation, actively engaging with the German Bauhaus. From the forties he experimented with film techniques, creating as many as six abstract films, of which today only some fragments remain unprojectable. The experimentation continues in the following years; the last abstract film dates to 1980. A multifaceted artist, he also pursued music and screenwriting, and his painting activity continued until his death in Milan in 1998.
Extraordinary photograph by maestro Luigi Veronesi, 37 x 28 format, mounted with a passe-partout
acid-free, 45.5 x 64.5 cm. Printed by Mario Parodi in his Genoa workshop, the photograph is in excellent condition with very light moisture stains on the sheet that supports the print.
Passe-partout and print are perfect. For refined collectors.
Luigi Veronesi (1908-1998), Milanese, a central figure of Italian abstraction. He lived in the Milanese city the creative ferment of the thirties, initially entering with figurative photographic works at the Galleria del Milione, a decisive center for the cultural, artistic, and promotional aspects of the most promising artists of those years. He then moves toward abstraction in the early thirties, joining the 1935 exhibition of abstract art in Turin at the studios of Felice Casorati and Enrico Paolucci. As early as 1934 he joined the Paris group Abstraction-Creation, actively engaging with the German Bauhaus. From the forties he experimented with film techniques, creating as many as six abstract films, of which today only some fragments remain unprojectable. The experimentation continues in the following years; the last abstract film dates to 1980. A multifaceted artist, he also pursued music and screenwriting, and his painting activity continued until his death in Milan in 1998.
