Luigi Rossanigo (1948) - Presenze






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Luigi Rossanigo (born 1948), Presenze, mixed media on metal plate, limited edition 1/1 PdA, 2005, framed, 32 × 23 cm, signed by hand, Italy.
Description from the seller
The proposed work is a relief metal plate (embossing done by my hand), artist's proof numbered 1/1, 30x21 cm, painted in red + white — signed on the plate — with a frame measuring 32x23x2 cm — a piece suitable for any interior.
The work will be carefully packed and shipped within 3 days with an authenticity photo signed by the artist — ready to hang or to lean — trackable and insured shipment — (unfortunately the photo never does it justice).
For those who love 20th-century innovations improved in technique in the 2000s — an intriguing and innovative work not to be missed.
…in the slow and steady unfolding of his research, Luigi Rossanigo has followed a particular artistic formation, characterized by varied experiments across different disciplines. From his early painting experiences in which the subject was treated with direct reference to reality, the artist, in the first half of the 1970s, gradually approached an abstract conception of form, summarized in a rapid and blunt gesturality. This informal detour found its natural evolution in a surrealism lived with a highly personal introspective intention, among abnormal mystifications of reality, pinned with the precision of an eighteenth-century traveler. While simultaneously cultivating a taste for precious jewelry and approaching the sculptural milieu of Carrara, the versatile artist felt the need to challenge himself in defining the volumetric form of the marble block, transferring onto it the three-dimensional interpretation of the work already imagined for the aureous jewel. This path led Rossanigo to modify the painting's structural layout, moving toward the realization of tensile structures and polymaterial compounds, a new dialectic in which the convergence between painting and sculpture was realized....
The proposed work is a relief metal plate (embossing done by my hand), artist's proof numbered 1/1, 30x21 cm, painted in red + white — signed on the plate — with a frame measuring 32x23x2 cm — a piece suitable for any interior.
The work will be carefully packed and shipped within 3 days with an authenticity photo signed by the artist — ready to hang or to lean — trackable and insured shipment — (unfortunately the photo never does it justice).
For those who love 20th-century innovations improved in technique in the 2000s — an intriguing and innovative work not to be missed.
…in the slow and steady unfolding of his research, Luigi Rossanigo has followed a particular artistic formation, characterized by varied experiments across different disciplines. From his early painting experiences in which the subject was treated with direct reference to reality, the artist, in the first half of the 1970s, gradually approached an abstract conception of form, summarized in a rapid and blunt gesturality. This informal detour found its natural evolution in a surrealism lived with a highly personal introspective intention, among abnormal mystifications of reality, pinned with the precision of an eighteenth-century traveler. While simultaneously cultivating a taste for precious jewelry and approaching the sculptural milieu of Carrara, the versatile artist felt the need to challenge himself in defining the volumetric form of the marble block, transferring onto it the three-dimensional interpretation of the work already imagined for the aureous jewel. This path led Rossanigo to modify the painting's structural layout, moving toward the realization of tensile structures and polymaterial compounds, a new dialectic in which the convergence between painting and sculpture was realized....
