Victor Vasarely (1906-1997) - CHEYT-MC-4, 1971

Victor Vasarely. CHEYT-MC-4, 1971.

Victor Vasarely, widely regarded as the father of Op Art, was one of the most influential figures in 20th-century abstract art. His explorations of visual perception, color, and geometry transformed the relationship between spectator and image, creating compositions capable of producing movement, depth, and vibration through precise mathematical structures.

'The copyright 1975 Editions du Griffon, Neuchâtel/Switzerland' on the back.

Embossed stamp of the Vasarely Foundation.

Photolithography on glossy paper.

Total dimensions: 27 x 27 cm.

Good condition.

In CHEYT-MC-4 (1971), Vasarely develops an optical structure based on a hexagonal grid that progressively curves to generate the illusion of a sphere emerging at the center of the composition. Unlike his cubic constructions, the geometry here becomes more organic, creating a fluid transition between surface and volume that suggests a radial expansion of space.

The central red nucleus functions as the point of maximum visual intensity, while the gradation toward blue and turquoise tones in the periphery reinforces the sense of depth and immersion. This chromatic organization not only models the form, but also induces a dynamic perception in which the sphere seems to pulse or float, actively engaging the viewer's retina.

The work belongs to a mature phase in which Vasarely perfects his visual vocabulary, integrating complex geometric systems with a rigorous chromatic logic. Here, the image operates as a field of perceptual energy rather than a static representation, anticipating subsequent developments in digital art, algorithmic visualization, and parametric design.