E. García - LA VIGILIA XL





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Original acrylic painting LA VIGILIA XL by E. García, 100 x 70 cm, created in 2026, in Fauvism style with a landscape theme, signed by hand, in excellent condition, from Spain, sold directly by the artist, with a certificate of authenticity.
Description from the seller
LA VIGILIA is a 70x100 cm painting by contemporary artist Ernest García. “La Vigilia” situates itself in a territory of poetic tension between dream and consciousness, between the domestic and the metaphysical. The scene, apparently serene, hides a silent unease that recalls the European surrealist imagination, evoking echoes of René Magritte and Giorgio de Chirico, reinterpreted from a contemporary sensibility and a palette of clearly Fauvist leanings.
In the foreground, two white cats—with amber, piercing, almost human eyes—occupy the central compositional space. They are not mere animals: they function as symbolic guardians, figures of alert suspended in a frozen time. Their whiteness, modeled with cool blues and dense shadows, makes them sculptural presences, almost marble-like, reinforcing the sense of ceremonial stillness.
The architectural space is built with a theatrical logic: bold blocks of color, slightly altered perspectives, and an atmosphere of suspended silence. In the background, a woman with her back to us contemplates an industrialized city marked by vertical chimneys, elements that recall the metaphysical architecture of De Chirico. The distance between the woman and the cats generates an open narrative: who watches whom? What is this scene waiting for?
The use of color is decisive. The burning reds, the golden yellows, and the deep blues do not seek naturalism, but emotional intensity. The Fauvist influence is manifested in the freedom of color and in the forcefulness of the contrasts. The light is not realistic: it is conceptual. It shines as a revelation, not as a physical phenomenon.
The decorative vase introduces an ornamental wink that dialogues with the classic pictorial tradition of the still life, but here it appears displaced, almost as a symbolic object within a mental staging. Each element seems carefully placed to reinforce a sense of interior watchfulness: a state of conscious alertness before the outside world.
“La Vigilia” is a work that articulates tradition and contemporaneity, figuration and symbolism. It has a strong museographic presence and an open narrative character that invites interpretation. It is not a complacent image; it is a scene that observes the viewer with the same intensity with which the viewer contemplates it.
A piece of notable conceptual charge and great visual power, ideal for collections that value the dialogue between historical surrealism and contemporary painting with high chromatic impact.
Authenticity and Shipping:
The work is offered directly by E. García, sold (WITHOUT FRAME) guaranteeing its authenticity with a certificate signed by the artist himself. The painting will be carefully rolled and protected inside a sturdy cardboard tube for shipment. After payment is confirmed, a three-day period is required to prepare the piece and send it. Delivery time will depend on the destination, with a maximum of up to ten business days.
LA VIGILIA is a 70x100 cm painting by contemporary artist Ernest García. “La Vigilia” situates itself in a territory of poetic tension between dream and consciousness, between the domestic and the metaphysical. The scene, apparently serene, hides a silent unease that recalls the European surrealist imagination, evoking echoes of René Magritte and Giorgio de Chirico, reinterpreted from a contemporary sensibility and a palette of clearly Fauvist leanings.
In the foreground, two white cats—with amber, piercing, almost human eyes—occupy the central compositional space. They are not mere animals: they function as symbolic guardians, figures of alert suspended in a frozen time. Their whiteness, modeled with cool blues and dense shadows, makes them sculptural presences, almost marble-like, reinforcing the sense of ceremonial stillness.
The architectural space is built with a theatrical logic: bold blocks of color, slightly altered perspectives, and an atmosphere of suspended silence. In the background, a woman with her back to us contemplates an industrialized city marked by vertical chimneys, elements that recall the metaphysical architecture of De Chirico. The distance between the woman and the cats generates an open narrative: who watches whom? What is this scene waiting for?
The use of color is decisive. The burning reds, the golden yellows, and the deep blues do not seek naturalism, but emotional intensity. The Fauvist influence is manifested in the freedom of color and in the forcefulness of the contrasts. The light is not realistic: it is conceptual. It shines as a revelation, not as a physical phenomenon.
The decorative vase introduces an ornamental wink that dialogues with the classic pictorial tradition of the still life, but here it appears displaced, almost as a symbolic object within a mental staging. Each element seems carefully placed to reinforce a sense of interior watchfulness: a state of conscious alertness before the outside world.
“La Vigilia” is a work that articulates tradition and contemporaneity, figuration and symbolism. It has a strong museographic presence and an open narrative character that invites interpretation. It is not a complacent image; it is a scene that observes the viewer with the same intensity with which the viewer contemplates it.
A piece of notable conceptual charge and great visual power, ideal for collections that value the dialogue between historical surrealism and contemporary painting with high chromatic impact.
Authenticity and Shipping:
The work is offered directly by E. García, sold (WITHOUT FRAME) guaranteeing its authenticity with a certificate signed by the artist himself. The painting will be carefully rolled and protected inside a sturdy cardboard tube for shipment. After payment is confirmed, a three-day period is required to prepare the piece and send it. Delivery time will depend on the destination, with a maximum of up to ten business days.

