Luigi Rossanigo (1948) - Presenze






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Luigi Rossanigo (1948), title Presenze, a mixed media work (Tecnica mista) in red, 32 cm high by 23 cm wide, sold with its frame, edition limited 1/1 PdA, created in 2010 in Italy.
Description from the seller
The proposed work is an embossed metal plate (embossing made by my hand) artist’s proof numbered 1/1, 30x21 cm, painted in red + white - signed on the plate - with a frame measuring 32x23x2 cm - a piece that suits any interior decor.
The work will be carefully packed and shipped within 3 days with authentication in a signed photo by the artist -- ready to hang or to rest on a surface -- traceable and insured shipping - (unfortunately the photo never renders perfectly).
For those who love the innovations of the 20th century refined in technique during the 2000s -- an intriguing and innovative work not to be missed.
…in the slow, steady unfolding of his research, Luigi Rossanigo has followed a distinctive artistic training, characterized by varied experiments across different disciplines. From the early painting experiences where the subject was treated with direct reference to reality, the artist, in the first half of the 1970s, progressively approached an abstract conception of form, synthesized in quick and blunt gesturality. This informal aside found its natural evolution in a surrealism lived with a highly personal introspective intention, among abnormal mystifications of reality, noted with the precision of an eighteenth‑century traveler. While simultaneously nurturing a passion for the precious art of goldsmithing and drawing closer to the sculptural milieu of Carrara, the versatile artist felt the need to tackle the volumetric definition of the marble block, transferring onto it the three‑dimensional interpretation of the work already imagined for the gilded jewel. This path led Rossanigo to modify the painting’s structural setup, moving toward the creation of tensile structures and polymeric composites, a new dialectic in which the union of painting and sculpture materialized....
The proposed work is an embossed metal plate (embossing made by my hand) artist’s proof numbered 1/1, 30x21 cm, painted in red + white - signed on the plate - with a frame measuring 32x23x2 cm - a piece that suits any interior decor.
The work will be carefully packed and shipped within 3 days with authentication in a signed photo by the artist -- ready to hang or to rest on a surface -- traceable and insured shipping - (unfortunately the photo never renders perfectly).
For those who love the innovations of the 20th century refined in technique during the 2000s -- an intriguing and innovative work not to be missed.
…in the slow, steady unfolding of his research, Luigi Rossanigo has followed a distinctive artistic training, characterized by varied experiments across different disciplines. From the early painting experiences where the subject was treated with direct reference to reality, the artist, in the first half of the 1970s, progressively approached an abstract conception of form, synthesized in quick and blunt gesturality. This informal aside found its natural evolution in a surrealism lived with a highly personal introspective intention, among abnormal mystifications of reality, noted with the precision of an eighteenth‑century traveler. While simultaneously nurturing a passion for the precious art of goldsmithing and drawing closer to the sculptural milieu of Carrara, the versatile artist felt the need to tackle the volumetric definition of the marble block, transferring onto it the three‑dimensional interpretation of the work already imagined for the gilded jewel. This path led Rossanigo to modify the painting’s structural setup, moving toward the creation of tensile structures and polymeric composites, a new dialectic in which the union of painting and sculpture materialized....
