Sol Lewitt (1928-2007) - Open Cube - Yellow





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Sol LeWitt, Open Cube - Yellow (2003), a linocut on 300 g Somerset Satin White paper, 36 × 36 cm, edition 20 of a limited edition, hand-signed, produced in Spain, weight 1 kg, in excellent condition, sold by Gallery.
Description from the seller
ABOUT THE PRINT
- Linocut on Somerset Satin White paper, 300 gr.
- Hand-signed and numbered by the artist.
ABOUT THE ARTIST
Sol LeWitt (1928–2007) was an American artist widely regarded as a founding figure of both Conceptual Art and Minimalism. Born in Hartford, Connecticut, he studied at Syracuse University and later moved to New York City, where he became deeply involved in the emerging avant-garde scene of the 1960s.
LeWitt’s most significant contribution to art was his emphasis on the idea or concept over the finished object. He believed that the planning and instructions behind a work were more important than its physical execution. This approach led to his famous “Wall Drawings,” large-scale works created directly on walls by following written instructions. These drawings, executed by assistants, challenged traditional notions of authorship and originality.
Another major achievement was his series of “Structures,” modular, grid-based sculptures that explored geometric form and spatial relationships. His use of simple shapes like cubes became iconic in Minimalist art.
LeWitt’s writings, particularly “Paragraphs on Conceptual Art” (1967), helped define the intellectual foundation of Conceptualism. Today, his work is held in major museums worldwide, and his innovative ideas continue to influence contemporary artists across disciplines.
ABOUT THE PRINT
- Linocut on Somerset Satin White paper, 300 gr.
- Hand-signed and numbered by the artist.
ABOUT THE ARTIST
Sol LeWitt (1928–2007) was an American artist widely regarded as a founding figure of both Conceptual Art and Minimalism. Born in Hartford, Connecticut, he studied at Syracuse University and later moved to New York City, where he became deeply involved in the emerging avant-garde scene of the 1960s.
LeWitt’s most significant contribution to art was his emphasis on the idea or concept over the finished object. He believed that the planning and instructions behind a work were more important than its physical execution. This approach led to his famous “Wall Drawings,” large-scale works created directly on walls by following written instructions. These drawings, executed by assistants, challenged traditional notions of authorship and originality.
Another major achievement was his series of “Structures,” modular, grid-based sculptures that explored geometric form and spatial relationships. His use of simple shapes like cubes became iconic in Minimalist art.
LeWitt’s writings, particularly “Paragraphs on Conceptual Art” (1967), helped define the intellectual foundation of Conceptualism. Today, his work is held in major museums worldwide, and his innovative ideas continue to influence contemporary artists across disciplines.

