Corneille (1922-2010) - Incantation





€55 | ||
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€50 |
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Guillaume Corneille, Incantation, a limited edition cobra‑style lithograph, 50 × 65 cm (61 × 76 cm including mat), hand-signed and dated by the artist, produced in the Netherlands in 1991 and in good condition, sold by Galerie.
Description from the seller
Not for sale - Rare and uncommon work
Painter of joy, Guillaume Corneille delivers a message of peace and serenity through the white dove.
Large original lithograph by the painter Guillaume Corneille (1922-2010), born in Liège to Dutch parents, founding member of the Cobra movement.
The work is on stiff paper with a mat border.
Dimensions of the work: 50 x 65 cm. Overall dimensions with the mat border: 61 x 76 cm.
Signed and dated in white pencil by the artist.
Very good condition
A great master of color in the wake of Gauguin and Matisse, Guillaume Corneille creates a jovial world imbued with exoticism. A traveling artist, Corneille, thanks to his friend Alan Davie, meets David Hockney on the London scene. Both erudite painters, they share the same taste for color, the ability to simplify the line, and the same habit of winking at the history of art of past centuries and at their own histories.
Seller's Story
Not for sale - Rare and uncommon work
Painter of joy, Guillaume Corneille delivers a message of peace and serenity through the white dove.
Large original lithograph by the painter Guillaume Corneille (1922-2010), born in Liège to Dutch parents, founding member of the Cobra movement.
The work is on stiff paper with a mat border.
Dimensions of the work: 50 x 65 cm. Overall dimensions with the mat border: 61 x 76 cm.
Signed and dated in white pencil by the artist.
Very good condition
A great master of color in the wake of Gauguin and Matisse, Guillaume Corneille creates a jovial world imbued with exoticism. A traveling artist, Corneille, thanks to his friend Alan Davie, meets David Hockney on the London scene. Both erudite painters, they share the same taste for color, the ability to simplify the line, and the same habit of winking at the history of art of past centuries and at their own histories.

