Joan Fontcuberta - Untitled, Spanien portfolio, 1976
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Description from the seller
Joan Fontcuberta. Untitled, Spanien portfolio, 1976.
Joan Fontcuberta is one of Spain's most internationally recognized conceptual photographers. His work has been devoted to questioning photography's supposed objectivity and demonstrating how images can construct visual fictions as convincing as reality itself. In 2013 he received the Hasselblad Award, widely regarded as photography's highest international distinction, for a career dedicated to exploring the boundaries between documentation, manipulation, and photographic truth.
Total dimensions: 26 x 20 cm on semi-gloss paper.
Artist's facsimile signature in the lower right corner.
Fine condition.
This image belongs to Fontcuberta's early investigations into the ambiguous nature of photography. At first glance it appears to be a simple study of natural vegetation, recorded with the observational sensitivity associated with documentary and humanist photography of the 1970s. Yet hidden within the dense foliage is an unexpected element: human hands emerging from the mass of leaves.
The intervention is deliberately subtle. The viewer initially perceives a naturalistic composition and only later discovers the concealed human presence. That moment of recognition fundamentally alters the reading of the photograph, transforming what seemed to be a straightforward document into a carefully constructed visual fiction.
The image explores the tension between presence and concealment, reality and artifice, turning nature itself into the stage for a perceptual illusion. In doing so, the work anticipates many of the concerns that would define Fontcuberta's later career: the fragility of photographic evidence, the manipulation of perception, and the ease with which images can generate believable realities.
Long before celebrated projects such as Herbarium, Fauna, Sputnik, and Orogenesis, Fontcuberta was already investigating the mechanisms through which photography creates meaning, challenging the trust traditionally placed in images as objective records of the world.
The work occupies a distinctive place within late twentieth-century European conceptual photography and may be considered alongside artists such as Cindy Sherman, Duane Michals, Man Ray, Jeff Wall, Sophie Calle, John Baldessari, Christian Boltanski, Thomas Demand, Bernd & Hilla Becher, and Andreas Gursky, among others, all of whom explored the relationships between image, fiction, representation, and truth.
Joan Fontcuberta. Untitled, Spanien portfolio, 1976.
Joan Fontcuberta is one of Spain's most internationally recognized conceptual photographers. His work has been devoted to questioning photography's supposed objectivity and demonstrating how images can construct visual fictions as convincing as reality itself. In 2013 he received the Hasselblad Award, widely regarded as photography's highest international distinction, for a career dedicated to exploring the boundaries between documentation, manipulation, and photographic truth.
Total dimensions: 26 x 20 cm on semi-gloss paper.
Artist's facsimile signature in the lower right corner.
Fine condition.
This image belongs to Fontcuberta's early investigations into the ambiguous nature of photography. At first glance it appears to be a simple study of natural vegetation, recorded with the observational sensitivity associated with documentary and humanist photography of the 1970s. Yet hidden within the dense foliage is an unexpected element: human hands emerging from the mass of leaves.
The intervention is deliberately subtle. The viewer initially perceives a naturalistic composition and only later discovers the concealed human presence. That moment of recognition fundamentally alters the reading of the photograph, transforming what seemed to be a straightforward document into a carefully constructed visual fiction.
The image explores the tension between presence and concealment, reality and artifice, turning nature itself into the stage for a perceptual illusion. In doing so, the work anticipates many of the concerns that would define Fontcuberta's later career: the fragility of photographic evidence, the manipulation of perception, and the ease with which images can generate believable realities.
Long before celebrated projects such as Herbarium, Fauna, Sputnik, and Orogenesis, Fontcuberta was already investigating the mechanisms through which photography creates meaning, challenging the trust traditionally placed in images as objective records of the world.
The work occupies a distinctive place within late twentieth-century European conceptual photography and may be considered alongside artists such as Cindy Sherman, Duane Michals, Man Ray, Jeff Wall, Sophie Calle, John Baldessari, Christian Boltanski, Thomas Demand, Bernd & Hilla Becher, and Andreas Gursky, among others, all of whom explored the relationships between image, fiction, representation, and truth.
Details
Artist
Joan Fontcuberta
Sold by
Owner or reseller
Title of artwork
Untitled, Spanien portfolio, 1976
Condition
Fine
Technique
Photolithography
Height
260 mm
Width
200 mm
Signature
Plate signed
Genre
Fine art photography
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