Otto Dix (1891-1969) - Selbstbildnis





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Otto Dix, Selbstbildnis, 1960, original woodcut in black on pale yellow machine-made paper, image size 20.9 × 14.4 cm and sheet 21.4 × 15.5 cm, unsigned, good condition, Germany, Realism.
Description from the seller
Otto Dix, Original woodcut, Self-portrait, 1960.
Original woodcut by Otto Dix. Black on light yellow machine-made paper. – Original artist’s print from 1960
Size: 20.9 x 14.4 cm (image / print block), 21.4 x 15.5 cm (sheet size). Passepartout 30.5 x 24.0
Artist bio:
Otto Dix (2 December 1891 Untermhaus / Gera / Thuringia - 25 July 1969 Singen am Hohentwiel / Baden-Württemberg). German painter and graphic artist, outstanding representative of the New Objectivity. 1909-14 at the Royal School of Arts and Crafts in Dresden. 1914-18 military service as a war volunteer. 1919 studies at the Dresden Academy of Fine Arts, studio at Antonplatz. Founding member of the Dresden Secession Group 1919. 1922 moved to Düsseldorf. 1925-27 residing in Berlin. Since 1927 Professor of Painting at the Dresden Academy of Fine Arts. In 1933 he was removed from office by the National Socialists and branded as “degenerate.” 1936 relocated to Hemmenhofen, still an studio in Dresden.
Otto Dix, Original woodcut, Self-portrait, 1960.
Original woodcut by Otto Dix. Black on light yellow machine-made paper. – Original artist’s print from 1960
Size: 20.9 x 14.4 cm (image / print block), 21.4 x 15.5 cm (sheet size). Passepartout 30.5 x 24.0
Artist bio:
Otto Dix (2 December 1891 Untermhaus / Gera / Thuringia - 25 July 1969 Singen am Hohentwiel / Baden-Württemberg). German painter and graphic artist, outstanding representative of the New Objectivity. 1909-14 at the Royal School of Arts and Crafts in Dresden. 1914-18 military service as a war volunteer. 1919 studies at the Dresden Academy of Fine Arts, studio at Antonplatz. Founding member of the Dresden Secession Group 1919. 1922 moved to Düsseldorf. 1925-27 residing in Berlin. Since 1927 Professor of Painting at the Dresden Academy of Fine Arts. In 1933 he was removed from office by the National Socialists and branded as “degenerate.” 1936 relocated to Hemmenhofen, still an studio in Dresden.

