Yuni R. P - Esplendor de Rosas Ómbre

Painting by the artist Yuni R. P in oil on canvas, executed entirely with a spatula. Dimensions of the work: 53 x 73 cm, corresponding to the painting, with a surrounding white margin for easier mounting or framing.

The works, once sold, are shipped within a maximum of three days to anywhere in the world. Each piece is carefully packaged, protected with paper and bubble wrap, and sent in a rigid high‑strength cardboard tube, guaranteeing its perfect condition during transport.

Yuni R. P is a young artist with solid professional training who currently lives and works in Havana, Cuba. His work is distinguished by a very personal pictorial language, developed almost exclusively through the use of the spatula, a tool with which he builds compositions of great visual strength and marked expressiveness.

His painting is characterized by rich impasto, loose brushwork, and an intensely colorful palette, where light and movement constantly dialogue. In his impressionistic treatment, there is a clear influence from Joaquín Sorolla, especially in the way luminosity, dynamism, and color vibration are approached, always from a contemporary and deeply personal perspective.

The themes he tackles arise from an emotional connection with nature and the landscape: marine scenes, sailboats, fauna, flowers, and evocative cities compose a pictorial universe full of nostalgia and admiration for classical art. His works do not seek literal description but the evocation of sensations, awakening in the viewer intense feelings and latent memories.

Yuni’s paintings have a frontal and enveloping presence; they are works that must be contemplated in person, as photography cannot fully capture the richness of the impasto, the depth of color, or the energy of the painterly gesture. The spatula allows him to build vibrant surfaces, with layers of paint that convey solidity, movement, and an almost tactile expressiveness.

His work is, essentially, a celebration of color, matter, and emotion: a painting that invites to pause, observe, and feel.

This work stands out for an exceptional handling of spatula and impasto technique, where the painter makes the roses acquire an sculptural dimension, emerging from the canvas with palpable and vigorous texture. The style, clearly framed in an emotional neo-impressionism, uses a warm color palette in the flowers that dramatically contrasts with a background divided into planes of deep blue and emerald green, heightening the luminosity of the petals. The artist does not seek botanical precision, but to capture the vibrant essence and vital energy of the roses; this is evident in the crystal vase, resolved with masterful touches of light that suggest transparency and reflection without losing the gestural character of the brushstroke. The communicative intention is to convey a sense of freshness, warmth, and overflowing optimism, turning the traditional still life into a sensory experience of color and relief.