VOLTA - "Falling Light, Sleeping Shepherd"






Holds a bachelor’s degree in art history and a master’s degree in arts and cultural management.
€50 | ||
|---|---|---|
€5 | ||
€1 |
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 136196 reviews
Rated Excellent on Trustpilot.
VOLTA presents the original 2026 acrylic painting Falling Light, Sleeping Shepherd, signed by hand, in crema, blue, yellow and red, depicting mythological themes, with image dimensions 90 × 70 cm and overall canvas 100 × 80 cm; sold directly by the artist, without a frame and rolled for shipment, with a digital certificate of authenticity available on request.
Description from the seller
From above, a luminous figure topples into the sky, wrapped in garments that crumble into silver strokes, accompanied by cherubs and a rain of pink and scarlet petals. Below, among thick grass painted with quick touches of green and emerald, a young woman lies abandoned in her red and blue dress, unaware of the apparition that comes toward her. Volta resumes the gallant enchantment of the eighteenth century — amorous mythology, the divine body breaking into the earthly world — but dissolves its outlines into a vibrant, almost feverish matter. The light grace of the historical model remains in the structure, in the dance of bodies between heaven and earth; but the surface is fully present, stirred by a color that no longer merely describes, it breathes. The encounter between the divine and the human becomes a flash of pure painting.
Signed and dated 2026 at the bottom right
Dimensions of the image: 90 x 70 cm
Total canvas size: 100 x 80 cm
The work is sold without a frame; it will be rolled and shipped in a cardboard tube.
The certificate of authenticity is issued exclusively on request, in digital format.
Volta's inquiry moves within the tradition of a return — not nostalgic, but active. The great tradition of European painting is the starting point: the period that each work evokes, from time to time. But the gesture by which this heritage is traversed is unequivocally contemporary. The color does not illustrate, it breathes. The brushstroke does not describe, it vibrates. What remains of the past is the deep structure — a certain idea of the body, of space, of light — while the surface is entirely present, entirely alive. Volta does not quote, it restitutes: his compositions seem to emerge from a shared cultural memory, brought to light with different eyes.
From above, a luminous figure topples into the sky, wrapped in garments that crumble into silver strokes, accompanied by cherubs and a rain of pink and scarlet petals. Below, among thick grass painted with quick touches of green and emerald, a young woman lies abandoned in her red and blue dress, unaware of the apparition that comes toward her. Volta resumes the gallant enchantment of the eighteenth century — amorous mythology, the divine body breaking into the earthly world — but dissolves its outlines into a vibrant, almost feverish matter. The light grace of the historical model remains in the structure, in the dance of bodies between heaven and earth; but the surface is fully present, stirred by a color that no longer merely describes, it breathes. The encounter between the divine and the human becomes a flash of pure painting.
Signed and dated 2026 at the bottom right
Dimensions of the image: 90 x 70 cm
Total canvas size: 100 x 80 cm
The work is sold without a frame; it will be rolled and shipped in a cardboard tube.
The certificate of authenticity is issued exclusively on request, in digital format.
Volta's inquiry moves within the tradition of a return — not nostalgic, but active. The great tradition of European painting is the starting point: the period that each work evokes, from time to time. But the gesture by which this heritage is traversed is unequivocally contemporary. The color does not illustrate, it breathes. The brushstroke does not describe, it vibrates. What remains of the past is the deep structure — a certain idea of the body, of space, of light — while the surface is entirely present, entirely alive. Volta does not quote, it restitutes: his compositions seem to emerge from a shared cultural memory, brought to light with different eyes.
