Joan Torres de Torres (1953) - Cadaqués






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Artist Joan Torres de Torres (1953) presents Cadaqués, oil on canvas, original edition from the 1990s, hand-signed, sold with frame, framed dimensions 41 × 58 cm.
Description from the seller
Pictura Galeria presents this magnificent work of art belonging to Torres de Torres, depicting a plantation of artichokes in front of a calm bay, with a coastal village and its mountains in the background, evoking the union between agriculture, sea, and the Mediterranean landscape. The painting stands out for its excellent technique and the high pictorial quality it conveys.
• Frame dimensions: 41x58x4 cm.
• Artwork dimensions: 38x55 cm.
• Oil on canvas hand-signed by the artist in the lower left corner, Torres de Torres.
• The piece is in good conservation condition.
• The work is sold with a beautiful frame (included in the auction as a gift).
The work comes from an exclusive private collection in Girona.
Important note: the photographs included are an integral part of the lot description. Digital representation in an indicative mockup; there may be differences from the real item in color, scale, and details.
The artwork will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure protection. The shipping price covers both the cost of professional packaging and the transport itself.
Shipping will be carried out by Correos or GLS with tracking. International shipping available.
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This painting represents an extensive artichoke plantation situated in front of a bay, with a coastal town stretching at the foot of the mountains. The scene brings together, in a single glance, the fertility of the land, the serenity of the sea, and the distant presence of urban life. The dominance of greens and earth tones creates a sober and natural atmosphere, while the bright band of the horizon introduces depth and guides the gaze toward the distant landscape.
In the foreground, the plants occupy almost the entire surface and become the true protagonists of the composition. Their large, open, and pointed leaves unfold in different directions, forming dense and vigorous vegetal structures. Each specimen presents a different silhouette, which adds variety and avoids any sense of mechanical repetition despite the cultivated nature of the land.
The artichokes are depicted through a wide range of greens: sage, olive, grayish, bluish greens, and deeper tones approaching black. This chromatic variety allows distinguishing illuminated leaves from those in shadow. Some small yellowish and ochre nuances suggest the effect of soft light on the vegetation and lend warmth to the whole.
The plant on the left possesses an especially powerful presence. Its leaves extend toward the margins and create a large vegetal mass that seems to advance toward the viewer. In the center, another specimen stands out for its open and balanced form, while the plants on the right gradually become smaller, helping to build the sense of distance.
Among the different rows the naked earth is visible, represented by browns, muted purples, and reddish tones. These soil bands organize the plantation and generate visual paths that lead toward the background. The shadows of the plants extend across the ground, reinforcing the sense of volume and evidencing the space between each crop.
The composition conveys a deep connection with the rural world. The orderly arrangement of the plants reveals human intervention and care, even though no figure appears working in the field. That absence intensifies the quiet of the scene and allows the landscape to be contemplated as a space of contained effort, fertility, and waiting, linked to the rhythm of the seasons and the cycles of harvest.
Beyond the cultivation appears a dark band of vegetation marking the transition to the coast. This area of trees and shrubs acts as a natural barrier between the plantation and the sea, while reinforcing depth. Its denser greens contrast with the lighter tones of the foreground leaves and the bluish-gray of the water.
The bay extends horizontally across the upper part and offers a pleasant sense of openness. The sea appears calm, with soft blues, grays, and violets, without strong movements or intense reflections. Its presence balances the density of the vegetation and provides a visual resting place before reaching the population situated on the opposite shore.
On the other side of the water there is a coastal town consisting of numerous light-colored buildings. The small houses cluster along the coastline and ascend slightly up the slopes. Their bright whites and grays stand out against the darkness of the mountain, creating a vibrant band that suggests human activity without disturbing the serenity of the landscape.
The mountains close the composition with broad, undulating profiles. Their tones of brown, gray, dark greens, and purples convey solidity and place the population within a protected environment. The irregular distribution of light areas on the slopes may recall dispersed houses, paths, or reflections of light, enriching the distance and giving continuity to the territory.
The sky, reduced to a upper band of soft and neutral tones, envelops the scene in a subdued light. It is not an intensely lit day, but a moment slightly cloudy or foggy that unifies the colors. This contained clarity favors the tranquil atmosphere of the painting and allows the vegetation to maintain all its presence.
The landscape is organized into three large planes: the cultivation in the foreground, the bay and the distant town, and the mountains as the background. This sequence creates a clear perspective and allows the viewer to move visually through the scene from the nearest land to the horizon. The contrast between the vigorous leaf shapes and the horizontal lines of the sea brings balance and dynamism.
The work celebrates the coexistence between agriculture, nature, and coastal life. The fertile field speaks of labor and rootedness in the land; the sea introduces an idea of openness and freedom; and the distant town adds the human dimension. These three elements come together in a coherent landscape that can evoke the Mediterranean regions, where crops grow very close to the coast.
Overall, the work offers a serene and deeply rooted vision of an artichoke plantation facing the sea, with a coastal town and its mountains closing the horizon. The richness of the greens, the firm presence of the plants, and the breadth of the bay create a landscape full of authenticity and balance. It is an image that conveys fertility, calm, and belonging, capable of bringing an elegant connection with nature and the essence of the Mediterranean to any space.
Pictura Galeria presents this magnificent work of art belonging to Torres de Torres, depicting a plantation of artichokes in front of a calm bay, with a coastal village and its mountains in the background, evoking the union between agriculture, sea, and the Mediterranean landscape. The painting stands out for its excellent technique and the high pictorial quality it conveys.
• Frame dimensions: 41x58x4 cm.
• Artwork dimensions: 38x55 cm.
• Oil on canvas hand-signed by the artist in the lower left corner, Torres de Torres.
• The piece is in good conservation condition.
• The work is sold with a beautiful frame (included in the auction as a gift).
The work comes from an exclusive private collection in Girona.
Important note: the photographs included are an integral part of the lot description. Digital representation in an indicative mockup; there may be differences from the real item in color, scale, and details.
The artwork will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure protection. The shipping price covers both the cost of professional packaging and the transport itself.
Shipping will be carried out by Correos or GLS with tracking. International shipping available.
------------------------------------------------------------------
This painting represents an extensive artichoke plantation situated in front of a bay, with a coastal town stretching at the foot of the mountains. The scene brings together, in a single glance, the fertility of the land, the serenity of the sea, and the distant presence of urban life. The dominance of greens and earth tones creates a sober and natural atmosphere, while the bright band of the horizon introduces depth and guides the gaze toward the distant landscape.
In the foreground, the plants occupy almost the entire surface and become the true protagonists of the composition. Their large, open, and pointed leaves unfold in different directions, forming dense and vigorous vegetal structures. Each specimen presents a different silhouette, which adds variety and avoids any sense of mechanical repetition despite the cultivated nature of the land.
The artichokes are depicted through a wide range of greens: sage, olive, grayish, bluish greens, and deeper tones approaching black. This chromatic variety allows distinguishing illuminated leaves from those in shadow. Some small yellowish and ochre nuances suggest the effect of soft light on the vegetation and lend warmth to the whole.
The plant on the left possesses an especially powerful presence. Its leaves extend toward the margins and create a large vegetal mass that seems to advance toward the viewer. In the center, another specimen stands out for its open and balanced form, while the plants on the right gradually become smaller, helping to build the sense of distance.
Among the different rows the naked earth is visible, represented by browns, muted purples, and reddish tones. These soil bands organize the plantation and generate visual paths that lead toward the background. The shadows of the plants extend across the ground, reinforcing the sense of volume and evidencing the space between each crop.
The composition conveys a deep connection with the rural world. The orderly arrangement of the plants reveals human intervention and care, even though no figure appears working in the field. That absence intensifies the quiet of the scene and allows the landscape to be contemplated as a space of contained effort, fertility, and waiting, linked to the rhythm of the seasons and the cycles of harvest.
Beyond the cultivation appears a dark band of vegetation marking the transition to the coast. This area of trees and shrubs acts as a natural barrier between the plantation and the sea, while reinforcing depth. Its denser greens contrast with the lighter tones of the foreground leaves and the bluish-gray of the water.
The bay extends horizontally across the upper part and offers a pleasant sense of openness. The sea appears calm, with soft blues, grays, and violets, without strong movements or intense reflections. Its presence balances the density of the vegetation and provides a visual resting place before reaching the population situated on the opposite shore.
On the other side of the water there is a coastal town consisting of numerous light-colored buildings. The small houses cluster along the coastline and ascend slightly up the slopes. Their bright whites and grays stand out against the darkness of the mountain, creating a vibrant band that suggests human activity without disturbing the serenity of the landscape.
The mountains close the composition with broad, undulating profiles. Their tones of brown, gray, dark greens, and purples convey solidity and place the population within a protected environment. The irregular distribution of light areas on the slopes may recall dispersed houses, paths, or reflections of light, enriching the distance and giving continuity to the territory.
The sky, reduced to a upper band of soft and neutral tones, envelops the scene in a subdued light. It is not an intensely lit day, but a moment slightly cloudy or foggy that unifies the colors. This contained clarity favors the tranquil atmosphere of the painting and allows the vegetation to maintain all its presence.
The landscape is organized into three large planes: the cultivation in the foreground, the bay and the distant town, and the mountains as the background. This sequence creates a clear perspective and allows the viewer to move visually through the scene from the nearest land to the horizon. The contrast between the vigorous leaf shapes and the horizontal lines of the sea brings balance and dynamism.
The work celebrates the coexistence between agriculture, nature, and coastal life. The fertile field speaks of labor and rootedness in the land; the sea introduces an idea of openness and freedom; and the distant town adds the human dimension. These three elements come together in a coherent landscape that can evoke the Mediterranean regions, where crops grow very close to the coast.
Overall, the work offers a serene and deeply rooted vision of an artichoke plantation facing the sea, with a coastal town and its mountains closing the horizon. The richness of the greens, the firm presence of the plants, and the breadth of the bay create a landscape full of authenticity and balance. It is an image that conveys fertility, calm, and belonging, capable of bringing an elegant connection with nature and the essence of the Mediterranean to any space.
