Tran Thi T.Hien (1973) - WHAAM ↑80 →100 cm

Title of the work: WHAAM after Roy Lichtenstein (2026) "D’Après Roy Lichtenstein"
Reproduction after the original work: Whaam after Roy Lichtenstein (1963).
Medium: hand-painted oil on canvas.
Dimensions: ↑80 →100 cm.
Artist: Tran Thi Thu Hien
Origin: Phan tiet
Reference: 54-L21-0526-54
A magnificent Pop Art canvas (reproduction) created in the studio of artist Tran Thi Thu Hien.
Delivered with a gallery certificate.

Sold without frame & without stretcher.
"Please note that some creases may appear in the photos; these light marks, due to transport, will naturally and entirely disappear when mounted on a frame or professionally framed."
Colors may vary slightly due to the capture by each camera during photography.

ARTIS Art Gallery: The renewal of artistic authenticity
In a world where art has too often become a mass-market product, where a name supplants talent and where industrial production replaces human hands, ARTIS Art Gallery commits to selling only works that meet strict criteria.
Our mission is simple but radical: to restore the nobility of authentic creation.
Our commitment: true art, with brave artists who, above all, are workers.
We travel across Asia in search of genuine talent, artists whose work is not merely a commercial strategy. For us, a work of art is not a standardized commodity. At ARTIS Art Gallery, every piece we offer meets stringent criteria:
100% Handmade: Each work is the result of meticulous artisanal craft, where the artist’s hand is the sole engine of creation.
Guaranteed uniqueness: We reject industrial reproduction, outsourcing, and factory production systems. What you acquire is a unique work, conceived and realized by the artist themselves.
The signature as commitment: each work is personally signed by its creator. This signature is not just a formality; it is the seal of authenticity and the guarantee that the artist fully assumes their work, from the first sketch to the finish. We refuse signatures on the board (printed signature); only hand-signed works are accepted, otherwise we refuse the works.

Against the "Art Marketing"
We firmly oppose the current trend of selling “names” rather than works. Buying a “decorative” piece produced in series, with no real intervention by the artist, is like buying a fashion accessory: its value fades as soon as the marketing fades.
We prefer to bet on the intrinsic quality of the craft. An artist who takes the time to create, who shapes every detail and invests their soul in their work is one who will leave a lasting mark. If we cannot predict the future, we deeply believe that authentic works are the only investments that, over time, grow in depth, emotion, and value, where purely promotional products fade away.

Why choose a work from ARTIS Art Gallery?
By choosing a work with us, you don’t just acquire an art object. You support:
1. Emerging talent: You enable talented artists to live from their art without compromising their integrity.
2. Ethics and transparency: you know exactly who made your work and how it was created.
A true guarantee of acquiring a work created by the artist themselves, rather than a mere outsourcing, under the pretext that the artist is already known in the art world.
3. Long-lasting investment: You invest in an artistic reality rather than in a marketing illusion.
4. Ethics and transparency: you know exactly who made your work and how it was created.
A real guarantee of acquiring a work created by the artist themselves, and not a vulgar outsourcing, is the common thread between those who seek truth in art and those who create it with passion, patience, and talent.

Enter a collection where every work tells a true story. Yours starts here with the acquisition, now, of this work selected by ARTIS Art Gallery.
Contact us: artisartgallery.assistant@gmail.com

Biography of painter Tran Thi Thu Hien, 1973.
(Vietnamese painter – Acrylic painting)

Tran Thi Thu Hien is a Vietnamese painter, born November 18, 1973 in the coastal town of Phan Thiet.
The fact that she hails from Phan Thiet, a town known for its beaches, red sand dunes, and Cham cultural heritage, suggests that her birthplace may have played an important role in shaping her artistic sensibility, particularly in her use of vivid colors and bright themes.
While the details of her training and work are personal, Vietnamese art is rich and diverse, ranging from traditional lacquer techniques to contemporary styles, including abstract expressionism found in some Vietnamese works.
The year of her birth, 1973, places her in a generation of artists who could flourish during a period of renewal and open doors in the Vietnamese art scene.