J.D. Okhai Ojeikere - Mai Bu - 1999






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
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Description from the seller
J.D. 'Okhai Ojeikere
Born in 1930 in Ovbiomu, Nigeria.
Died in 2014 in Lagos, Nigeria, where he lived and worked.
At the age of nineteen, J.D. 'Okhai Ojeikere bought a modest Brownie D camera on the advice of a neighbour who taught him the basics of photography. His talent soon led to a request from West Africa Publicity, for which he would work full-time from 1963 to 1975, the year he set up his studio, "Foto Ojeikere". During a festival in 1968, he took his first photographs dedicated to Nigerian culture, still in black and white, with a Rolleiflex 6x6. From then on, and for forty years, he pursued nationwide themed research. Hairstyle, rich with nearly a thousand images, is the most substantial and accomplished. Ojeikere photographed the hairstyles of Nigerian women every day on the street, at the office, at parties, in a systematic manner, from the back, sometimes in profile and less often facing the camera. His work, beyond the aesthetic project, constitutes a unique heritage that is at once anthropological, ethnographic, and documentary.
Framed photo, express delivery with gallery certificate.
Seller's Story
J.D. 'Okhai Ojeikere
Born in 1930 in Ovbiomu, Nigeria.
Died in 2014 in Lagos, Nigeria, where he lived and worked.
At the age of nineteen, J.D. 'Okhai Ojeikere bought a modest Brownie D camera on the advice of a neighbour who taught him the basics of photography. His talent soon led to a request from West Africa Publicity, for which he would work full-time from 1963 to 1975, the year he set up his studio, "Foto Ojeikere". During a festival in 1968, he took his first photographs dedicated to Nigerian culture, still in black and white, with a Rolleiflex 6x6. From then on, and for forty years, he pursued nationwide themed research. Hairstyle, rich with nearly a thousand images, is the most substantial and accomplished. Ojeikere photographed the hairstyles of Nigerian women every day on the street, at the office, at parties, in a systematic manner, from the back, sometimes in profile and less often facing the camera. His work, beyond the aesthetic project, constitutes a unique heritage that is at once anthropological, ethnographic, and documentary.
Framed photo, express delivery with gallery certificate.
