Lou Atmån - Ambre - sans titre 02






Over 35 years' experience; former gallery owner and Museum Folkwang curator.
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Description from the seller
This photograph from the series "Ambre" was taken by the artist in 2025. It is offered exclusively on the Catawiki site. It is available as a FineArt print on Platinum Fibre Paper. This print presents the look and feel of the famous baryta paper, paired with a pure white, which have made the reputation of the greatest photographers. It is 100% cotton museum-grade paper, delivering deep blacks and exceptional color reproduction. It is particularly well suited to demanding fine art photography. This signed print, measuring 40x32 cm, is part of a limited edition (/25). It comes with a certificate of authenticity.
The artist has shown in numerous contemporary art fairs in France and abroad. Her recognized photographic work is present in private collections. She has won international prizes, enabling her to gain recognition in the art world.
série Ambre :
In a aquatic ballet, a woman with flaming hair, dressed in a diaphanous gown, seems to merge with the blue and luminous wave that surrounds her. Each movement, graceful, evokes a nereid dancing in the depths, where mystery and beauty mingle. The transparency of her dress caresses the water, revealing a delicate sensuality, while light plays on her silhouette with a subtle and entrancing poetry. A suspended scene, between dream and reality, where elegance flirts with eternity.
Lou’s photographs resemble enigmas. Bodies are fragmented, blurred; they reveal themselves or hide, play with what is known about them to tell something else. But tell what? First, impressions: in the Opaline series, the fleeting happiness of an apparition, that of a fragment of a solitary landscape stolen from darkness [...] What remains of the body is actually the erotism of this skin photographed, with much modesty, like a caress, delicate as a whisper. By becoming only pure form, pure image composition, its surface expresses the invisible that animates it, but refuses to name it. It merely seeks the gaze, this pursuit of the gaze as metamorphosis.
Hannibal Volkoff – curator of the exhibition
This photograph from the series "Ambre" was taken by the artist in 2025. It is offered exclusively on the Catawiki site. It is available as a FineArt print on Platinum Fibre Paper. This print presents the look and feel of the famous baryta paper, paired with a pure white, which have made the reputation of the greatest photographers. It is 100% cotton museum-grade paper, delivering deep blacks and exceptional color reproduction. It is particularly well suited to demanding fine art photography. This signed print, measuring 40x32 cm, is part of a limited edition (/25). It comes with a certificate of authenticity.
The artist has shown in numerous contemporary art fairs in France and abroad. Her recognized photographic work is present in private collections. She has won international prizes, enabling her to gain recognition in the art world.
série Ambre :
In a aquatic ballet, a woman with flaming hair, dressed in a diaphanous gown, seems to merge with the blue and luminous wave that surrounds her. Each movement, graceful, evokes a nereid dancing in the depths, where mystery and beauty mingle. The transparency of her dress caresses the water, revealing a delicate sensuality, while light plays on her silhouette with a subtle and entrancing poetry. A suspended scene, between dream and reality, where elegance flirts with eternity.
Lou’s photographs resemble enigmas. Bodies are fragmented, blurred; they reveal themselves or hide, play with what is known about them to tell something else. But tell what? First, impressions: in the Opaline series, the fleeting happiness of an apparition, that of a fragment of a solitary landscape stolen from darkness [...] What remains of the body is actually the erotism of this skin photographed, with much modesty, like a caress, delicate as a whisper. By becoming only pure form, pure image composition, its surface expresses the invisible that animates it, but refuses to name it. It merely seeks the gaze, this pursuit of the gaze as metamorphosis.
Hannibal Volkoff – curator of the exhibition
