Bertrand Jost (1961) - Sans titre






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Bertrand Jost (1961), Sans titre, a 70 × 70 cm acrylic painting in the conceptual art style, original edition, created in 2000–2010 in France, signed by hand and in excellent condition, depicting a stylised urban scene with high-contrast colours.
Description from the seller
The painting depicts a stylized urban scene in a geometric/cubist style, with a strong, high-contrast chromatic imprint. The composition is organized around a central perspective: a street or square paved with multicolored squares that guides the eye toward the back of the canvas, flanked by square buildings with flat façades in saturated tones — magenta, ocher, green, orange, purple.
The human figures are rendered as black silhouettes, simplified to the extreme, without faces or details, arranged along the route in a kind of promenade or procession that moves away toward the background, creating a rhythmic repetition effect and a sense of urban solitude despite the crowding.
The result is a work that communicates a sense of a dreamed or metaphysical city, where anonymous figures become almost decorative elements of the urban drawing, balancing between public art, illustration, and symbolic painting.
The painting depicts a stylized urban scene in a geometric/cubist style, with a strong, high-contrast chromatic imprint. The composition is organized around a central perspective: a street or square paved with multicolored squares that guides the eye toward the back of the canvas, flanked by square buildings with flat façades in saturated tones — magenta, ocher, green, orange, purple.
The human figures are rendered as black silhouettes, simplified to the extreme, without faces or details, arranged along the route in a kind of promenade or procession that moves away toward the background, creating a rhythmic repetition effect and a sense of urban solitude despite the crowding.
The result is a work that communicates a sense of a dreamed or metaphysical city, where anonymous figures become almost decorative elements of the urban drawing, balancing between public art, illustration, and symbolic painting.
