René Mels (1909-1977) - Grande figure assise






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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René Mels (1909-1977) – Grande figure assise, a 1950 original ink drawing on paper, 58.5 × 44 cm, signed “R. Mels”, in good condition and unframed, Belgium origin, sold by owner or dealer.
Description from the seller
René Mels (1909-1977) – Seated Figure
Large ink drawing – Circa 1950
Artist: René Mels (pseudonym of René Meulemans, 1909-1977) – Belgium
Technique: India ink on paper (Ingres watermark visible)
Dimensions: 58.5 × 44 cm
Signature: Signed “R. Mels” at bottom right
Presentation: Sold unframed
Condition: Generally good. Small crease in one corner and a few small stains.
Important and highly expressive work on paper by René Mels.
This large ink drawing is characterized by an extremely dense and virtuoso hatchwork. The seated figure, treated in a style that is both expressionist and almost abstract, emerges from a complex network of crossing lines that structure the volume, shadows and space.
The artist plays on the tension between figuration and pure graphic construction, a hallmark of his work around 1950, a transitional period toward abstraction.
The intensity of the line, mastery of black and white, and the generous format make it a particularly strong piece in Mels’ drawn oeuvre.
Biography
René Mels (René Meulemans, 1909-1977) trained at the Academies of Leuven and Brussels, then at La Cambre. After an expressionist start influenced by Permeke, he shifted in 1947 toward abstraction. An active member of Jeune Peinture Belge (exhibitions 1947-1948 at the Palais des Beaux-Arts, Brussels), he joined the group Art abstrait in 1952 and co-founded Cap d’encre in 1963.
His work is characterized by a concern for construction, a flexible écriture, and an expressive chromaticism. His engravings and paintings are represented in numerous Belgian and international public collections.
Seller's Story
René Mels (1909-1977) – Seated Figure
Large ink drawing – Circa 1950
Artist: René Mels (pseudonym of René Meulemans, 1909-1977) – Belgium
Technique: India ink on paper (Ingres watermark visible)
Dimensions: 58.5 × 44 cm
Signature: Signed “R. Mels” at bottom right
Presentation: Sold unframed
Condition: Generally good. Small crease in one corner and a few small stains.
Important and highly expressive work on paper by René Mels.
This large ink drawing is characterized by an extremely dense and virtuoso hatchwork. The seated figure, treated in a style that is both expressionist and almost abstract, emerges from a complex network of crossing lines that structure the volume, shadows and space.
The artist plays on the tension between figuration and pure graphic construction, a hallmark of his work around 1950, a transitional period toward abstraction.
The intensity of the line, mastery of black and white, and the generous format make it a particularly strong piece in Mels’ drawn oeuvre.
Biography
René Mels (René Meulemans, 1909-1977) trained at the Academies of Leuven and Brussels, then at La Cambre. After an expressionist start influenced by Permeke, he shifted in 1947 toward abstraction. An active member of Jeune Peinture Belge (exhibitions 1947-1948 at the Palais des Beaux-Arts, Brussels), he joined the group Art abstrait in 1952 and co-founded Cap d’encre in 1963.
His work is characterized by a concern for construction, a flexible écriture, and an expressive chromaticism. His engravings and paintings are represented in numerous Belgian and international public collections.
