Alessandro Padovan (1983) - Bernard Aubertin

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Giulia Couzzi
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Selected by Giulia Couzzi

Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.

Estimate  € 800 - € 1,000
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€30
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Alessandro Padovan, original artwork titled Bernard Aubertin, executed in Screw Art on ferro, 2025, 32 × 32 × 12 cm, red, hand-signed, in a plexiglass case, excellent condition, Italy.

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Description from the seller

Artwork by Alessandro Padovan, famous worldwide for his Screw Art technique. The piece is enhanced by a Plexiglas case.

This work engages in a dialogue with the radical monochrome of Bernard Aubertin, reinterpret­ing his language through industrial matter. Absolute red — an identity-defining, totalizing color — here is not merely surface but an energetic field. As in Aubertin, the monochrome becomes mental space, pure tension, spiritual vibration. However, instead of fire and combustion, we find life: mechanical, modular, serial. Screws emerge from the plane like a dynamic weave, creating a visual rhythm that breaks biodimensionality and transforms red into a territory traversed by forces. If Aubertin burned matter to liberate its essence, here matter is screwed, penetrated, built. It is an opposite gesture but conceptually related: a radical act on the monochrome. The transparent case isolates and protects, transforming the work into a contemporary relic. Red is not just color, but an immersive experience; it is not only surface, but the tension between order and impulse, between mechanical control and emotional vibration. In this perspective, the work stands as an evolution of the monochrome: from fire to screw, from destructive energy to constructive energy, while preserving the absolute power of red.

The works of this contemporary artist fit into the lineage of Pop Art, Screw Art, conceptual art, and urban art, echoing in visual language and cultural impact the work of great names such as: Andy Warhol, Jean-Michel Basquiat, Banksy, Jeff Koons, Keith Haring, Fontana, Imbue, Obey, Padovan, Schifano, Nicole Lubbers, Bani. At the same time, the artistic research dialogues with the imagery of luxury, iconic fashion, and global design, evoking sacred symbols and universally recognized brands such as Louis Vuitton, Gucci, Chanel, Hermès, Rolex, Ferrari, Porsche, and Lamborghini. The works are not replicas nor official collaborations with the cited artists and brands but original creations, realized with a personal style that reflects a critique and a rereading of consumerism, the symbolic value of the brand, and art as a contemporary cultural object.
This approach makes the works particularly appreciated by collectors and enthusiasts of contemporary art, luxury Pop Art, conceptual street art, and art inspired by iconic great brands, while maintaining a strong autonomous artistic identity.

Artwork by Alessandro Padovan, famous worldwide for his Screw Art technique. The piece is enhanced by a Plexiglas case.

This work engages in a dialogue with the radical monochrome of Bernard Aubertin, reinterpret­ing his language through industrial matter. Absolute red — an identity-defining, totalizing color — here is not merely surface but an energetic field. As in Aubertin, the monochrome becomes mental space, pure tension, spiritual vibration. However, instead of fire and combustion, we find life: mechanical, modular, serial. Screws emerge from the plane like a dynamic weave, creating a visual rhythm that breaks biodimensionality and transforms red into a territory traversed by forces. If Aubertin burned matter to liberate its essence, here matter is screwed, penetrated, built. It is an opposite gesture but conceptually related: a radical act on the monochrome. The transparent case isolates and protects, transforming the work into a contemporary relic. Red is not just color, but an immersive experience; it is not only surface, but the tension between order and impulse, between mechanical control and emotional vibration. In this perspective, the work stands as an evolution of the monochrome: from fire to screw, from destructive energy to constructive energy, while preserving the absolute power of red.

The works of this contemporary artist fit into the lineage of Pop Art, Screw Art, conceptual art, and urban art, echoing in visual language and cultural impact the work of great names such as: Andy Warhol, Jean-Michel Basquiat, Banksy, Jeff Koons, Keith Haring, Fontana, Imbue, Obey, Padovan, Schifano, Nicole Lubbers, Bani. At the same time, the artistic research dialogues with the imagery of luxury, iconic fashion, and global design, evoking sacred symbols and universally recognized brands such as Louis Vuitton, Gucci, Chanel, Hermès, Rolex, Ferrari, Porsche, and Lamborghini. The works are not replicas nor official collaborations with the cited artists and brands but original creations, realized with a personal style that reflects a critique and a rereading of consumerism, the symbolic value of the brand, and art as a contemporary cultural object.
This approach makes the works particularly appreciated by collectors and enthusiasts of contemporary art, luxury Pop Art, conceptual street art, and art inspired by iconic great brands, while maintaining a strong autonomous artistic identity.

Details

Era
After 2000
Sold by
Owner or reseller
Country of origin
Italy
Material
Iron
Artist
Alessandro Padovan (1983)
Title of artwork
Bernard Aubertin
Signature
Hand signed
Year
2025
Colour
Red
Condition
Excellent condition
Height
32 cm
Width
32 cm
Depth
12 cm
ItalyVerified
Private

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