Jone Hopper - Muse à l’enfant






Holds a bachelor’s degree in art history and a master’s degree in arts and cultural management.
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Muse à l’enfant, a Giclée on canvas mounted on a stretcher, 50 × 40 cm, France, edition limited to 10, hand-signed on the back, with a hand-signed certificate of authenticity, produced after 2020, sold direct from the artist.
Description from the seller
- Limited edition numbered on 10 copies and hand-signed on the back of the artwork
- Giclée on canvas mounted on an artist's studio frame
- Certificate of authenticity hand-signed
Born in 1977, Jone Hopper is a French artist.
In the late 1980s, he earned his keep on the streets through an emerging movement at the time: graffiti. He tags his name on walls and trains. Known for his characters and aerosol signatures, he founded the collective TBS (The Brutal Style) with Skepa and a few other committed graffiti writers. We know little about him because the artist remains faithful to the graffiti spirit and wishes to stay anonymous, believing that the work should be showcased, not the person. Absent from social media, absent from openings, a faceless artist, he remains a true mystery except for a few gallery owners in the know. He compares his painting to a Hip Hop track, drawing on Basquiat, Keith Haring, Picasso, Matisse, Andy Warhol, or even Bacon, pulling from all painting movements, from Modern to Contemporary, including Classical; he acts like a sampler... he samples, cuts, assembles, and thus creates new images.
- Limited edition numbered on 10 copies and hand-signed on the back of the artwork
- Giclée on canvas mounted on an artist's studio frame
- Certificate of authenticity hand-signed
Born in 1977, Jone Hopper is a French artist.
In the late 1980s, he earned his keep on the streets through an emerging movement at the time: graffiti. He tags his name on walls and trains. Known for his characters and aerosol signatures, he founded the collective TBS (The Brutal Style) with Skepa and a few other committed graffiti writers. We know little about him because the artist remains faithful to the graffiti spirit and wishes to stay anonymous, believing that the work should be showcased, not the person. Absent from social media, absent from openings, a faceless artist, he remains a true mystery except for a few gallery owners in the know. He compares his painting to a Hip Hop track, drawing on Basquiat, Keith Haring, Picasso, Matisse, Andy Warhol, or even Bacon, pulling from all painting movements, from Modern to Contemporary, including Classical; he acts like a sampler... he samples, cuts, assembles, and thus creates new images.
