Lídia Vives - In my head






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
€25 |
|---|
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Description from the seller
Prints and authenticity
Fine Art printing on Hahnemühle Baryta paper with an extra-brilliant finish.
Delivered signed and numbered, with certificate of authenticity.
Edition
Limited edition 7/7. Last edition available in this size.
Shipping
The artwork is shipped in a rigid mailer or tube depending on destination.
Includes cotton gloves and a signed postcard.
Self-portrait.
ABOUT THE WORK — In my head
In my head is part of the series The Stages of a Heartbreak and serves as its opening piece.
The work is inspired by the Spanish expression “tener pájaros en la cabeza” (to have birds in one’s head), associated with overflowing imagination and the tendency to build stories bigger than reality.
Here, that idea becomes a metaphor for the first stage of falling in love: the moment when we idealize the beloved, see them as flawless, and project our desires onto them to the point of losing perspective. The black-and-white portrait creates an ethereal atmosphere where the birds emerge as symbols of persistent thoughts, fantasies, and expectations that overlay the real.
The image invites us to recognize that phase when love changes the gaze: we do not see what is, but what we want to see.
Seller's Story
Prints and authenticity
Fine Art printing on Hahnemühle Baryta paper with an extra-brilliant finish.
Delivered signed and numbered, with certificate of authenticity.
Edition
Limited edition 7/7. Last edition available in this size.
Shipping
The artwork is shipped in a rigid mailer or tube depending on destination.
Includes cotton gloves and a signed postcard.
Self-portrait.
ABOUT THE WORK — In my head
In my head is part of the series The Stages of a Heartbreak and serves as its opening piece.
The work is inspired by the Spanish expression “tener pájaros en la cabeza” (to have birds in one’s head), associated with overflowing imagination and the tendency to build stories bigger than reality.
Here, that idea becomes a metaphor for the first stage of falling in love: the moment when we idealize the beloved, see them as flawless, and project our desires onto them to the point of losing perspective. The black-and-white portrait creates an ethereal atmosphere where the birds emerge as symbols of persistent thoughts, fantasies, and expectations that overlay the real.
The image invites us to recognize that phase when love changes the gaze: we do not see what is, but what we want to see.
