Claude Weisbuch (1927-2014) - Le Clown, 1960






Held senior specialist role at Finarte for 12 years, specialising in modern prints.
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Claude Weisbuch, Le Clown, 1960, an original hand-signed aquatint engraving in excellent condition, 48 × 33 cm, depicting a portrait and produced in France during the 1960–1970 period.
Description from the seller
Large aquatint (etching) by Claude Weisbuch, signed and dated 1960. Titled The Clown. Not numbered. Print 49×33, sheet 67×51. Excellent condition, a small stain near the 1960 date outside the plate.
Born in 1927 in Thionville, Weisbuch became a student at the École des Beaux-Arts in Nancy, then was appointed professor of engraving at the École des Beaux-Arts in Saint-Étienne. He initially participated in group exhibitions before being named a full member of the French Painters-Engravers in 1968. Since then, his fame has continued to grow and his work today enjoys worldwide recognition.
Graphically, Weisbuch quickly managed to fuse an eminently classical handwriting with a sense of movement and layout that are very contemporary. Through his studies of musicians as well as his tributes to Jacques Callot, Rembrandt, Toulouse-Lautrec, and Daumier, he demonstrates his ability to reveal passion and anxiety, his sense of dramaturgy and staging. A painter, etcher, and exceptional lithographer, Claude Weisbuch continually seeks to capture the dynamics of life as an instantaneous moment, essentially around man and his pictorial, musical, and literary expression.
Large aquatint (etching) by Claude Weisbuch, signed and dated 1960. Titled The Clown. Not numbered. Print 49×33, sheet 67×51. Excellent condition, a small stain near the 1960 date outside the plate.
Born in 1927 in Thionville, Weisbuch became a student at the École des Beaux-Arts in Nancy, then was appointed professor of engraving at the École des Beaux-Arts in Saint-Étienne. He initially participated in group exhibitions before being named a full member of the French Painters-Engravers in 1968. Since then, his fame has continued to grow and his work today enjoys worldwide recognition.
Graphically, Weisbuch quickly managed to fuse an eminently classical handwriting with a sense of movement and layout that are very contemporary. Through his studies of musicians as well as his tributes to Jacques Callot, Rembrandt, Toulouse-Lautrec, and Daumier, he demonstrates his ability to reveal passion and anxiety, his sense of dramaturgy and staging. A painter, etcher, and exceptional lithographer, Claude Weisbuch continually seeks to capture the dynamics of life as an instantaneous moment, essentially around man and his pictorial, musical, and literary expression.
