Agathe Toman - LA FORËT - LAC #1 - 1/20

Signed and numbered in a limited edition of 20 by the artist.

Agathe Toman – Shared Collection
Fine art photography – The Forest, French Pyrenees (Lac de Payolle), Spring 2026

This black-and-white photograph was taken in spring 2026, in the heart of the French Pyrenees, around Lac de Payolle. It belongs to the series The Forest, a photographic exploration where landscape becomes a mental space, between presence, memory and disappearance.

Photograph taken using film with a Leica Leicaflex.

Image treatment, deliberately high-contrast and rich in grain, is inspired by the aesthetics of the great Japanese photographer Daidō Moriyama. This approach gives the work a raw, organic intensity, where the photographic matter is as important as the subject itself.

This work is part of the COLLECTION PARTAGÉE by Agathe Toman, a limited-edition series making her photographic work accessible to collectors.

- Fine Art print on high-gloss premium paper.
- Limited edition of 20 copies.
- Artwork numbered and hand-signed (front and back).
- Certificate of authenticity signed provided.
- The photograph is carefully shipped rolled in a protective tube.
- Frame not included.

Agathe Toman is a French artist born in 1989. A multidisciplinary artist, she develops a practice blending drawing, painting, photography, poetry and sculpture around the links between landscape, psyche and memory.

After studies at the Chambre Syndicale de la Couture Parisienne and several years as a stylist within Parisian haute couture houses, she chose to devote herself entirely to her artistic practice.

Her works are present in numerous private collections in Europe, the United States and Asia. She has been listed at Sotheby’s since 2021, where several of her works have been auctioned. Her work has notably been shown at Art Paris and published in media such as Forbes, L’Œil and ELLE.

Through her photographs, Agathe Toman seeks less to document reality than to reveal what escapes it. Her images question our relationship to memory, to the living, and to inner landscapes. Between abstraction and figuration, they invite the viewer to a contemplative experience where each person can project their own story.
"I consider my works to be materializations of psychic states. They do not represent a landscape; they become an inner landscape. What interests me is not what one sees, but what the image awakens in us." — Agathe Toman