E. García - El puente XL





€200 | ||
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€2 | ||
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Original acrylic painting El puente XL by E. García, a 100 × 70 cm work in Realismo from 2026, signed by hand and coming directly from the artist, with the certificate of authenticity and shipped securely in a carton tube.
Description from the seller
EL PUENTE is a 70x100 cm painting by contemporary artist Ernest García. This work represents a luminous interior opening directly toward the water, where a large arched window frames the view of a stone bridge. Two red chairs and a small table set with a bottle and glasses occupy the foreground, creating an intimate scene that blends architecture, landscape, and everyday life.
The composition is built from a very clear frontal perspective. The window functions as a picture within the picture and guides the gaze toward the bridge, whose succession of arches introduces depth and rhythm. The blue water occupies the visual center of the scene and provides a smooth transition between the interior space and the exterior landscape. The two chairs suggest conversation, company, and a shared pause facing the view.
Color gives the work a strong decorative force. The yellows and oranges of the walls contrast with the intense blues of the water, the window, and the fridge, while the red chairs create a warm tension point in the foreground. The greens of the plants soften the architecture and bring a sense of freshness. Ernest García uses a broad, visible, spontaneous brushstroke, especially in the water, where reflections are built with horizontal strokes and variations of blue, turquoise, and green.
The presence of the blue fridge introduces a contemporary, everyday element that personalizes the scene. Its vertical volume balances the composition and reinforces the contrast between the domestic character of the interior and the tranquil monumentality of the bridge. The served table, the fruit, and the glasses add a narrative dimension, as if the space were prepared to receive someone.
The painting shows affinities with Fauvism through its chromatic freedom and with Henri Matisse’s interiors, where doors and windows expand the pictorial space and connect domestic life with the landscape. One can also perceive echoes of David Hockney in the structural clarity, the prominence of architecture, and the use of luminous blues, although Ernest García preserves a more gestural brushwork and a more Mediterranean atmosphere.
Beyond representing a room with views, El puente speaks of the meeting between interior and exterior, between intimacy and travel. The two empty chairs invite us to imagine a pending conversation, while the bridge acts as a symbol of connection, transit, and union between places. The work conveys calm, luminosity, and the pleasure of inhabiting a space opened to the landscape.
The bridge is especially attractive to collectors interested in contemporary figurative painting, interiors with views, bridges in art, river landscapes, Mediterranean architecture, arched windows, interior design, vintage fridges, red chairs, decorative art, Fauvism, Henri Matisse, David Hockney, colorful painting, and scenes of luminous atmosphere.
Authenticity and Shipping:
The work is offered directly by E. García, guaranteeing its authenticity with a certificate signed by the artist himself. The painting will be carefully rolled and protected inside a sturdy cardboard tube for shipment. After payment is confirmed, a three-day preparation period is required before sending the piece. Delivery time will depend on the destination, with a maximum of up to ten business days.
EL PUENTE is a 70x100 cm painting by contemporary artist Ernest García. This work represents a luminous interior opening directly toward the water, where a large arched window frames the view of a stone bridge. Two red chairs and a small table set with a bottle and glasses occupy the foreground, creating an intimate scene that blends architecture, landscape, and everyday life.
The composition is built from a very clear frontal perspective. The window functions as a picture within the picture and guides the gaze toward the bridge, whose succession of arches introduces depth and rhythm. The blue water occupies the visual center of the scene and provides a smooth transition between the interior space and the exterior landscape. The two chairs suggest conversation, company, and a shared pause facing the view.
Color gives the work a strong decorative force. The yellows and oranges of the walls contrast with the intense blues of the water, the window, and the fridge, while the red chairs create a warm tension point in the foreground. The greens of the plants soften the architecture and bring a sense of freshness. Ernest García uses a broad, visible, spontaneous brushstroke, especially in the water, where reflections are built with horizontal strokes and variations of blue, turquoise, and green.
The presence of the blue fridge introduces a contemporary, everyday element that personalizes the scene. Its vertical volume balances the composition and reinforces the contrast between the domestic character of the interior and the tranquil monumentality of the bridge. The served table, the fruit, and the glasses add a narrative dimension, as if the space were prepared to receive someone.
The painting shows affinities with Fauvism through its chromatic freedom and with Henri Matisse’s interiors, where doors and windows expand the pictorial space and connect domestic life with the landscape. One can also perceive echoes of David Hockney in the structural clarity, the prominence of architecture, and the use of luminous blues, although Ernest García preserves a more gestural brushwork and a more Mediterranean atmosphere.
Beyond representing a room with views, El puente speaks of the meeting between interior and exterior, between intimacy and travel. The two empty chairs invite us to imagine a pending conversation, while the bridge acts as a symbol of connection, transit, and union between places. The work conveys calm, luminosity, and the pleasure of inhabiting a space opened to the landscape.
The bridge is especially attractive to collectors interested in contemporary figurative painting, interiors with views, bridges in art, river landscapes, Mediterranean architecture, arched windows, interior design, vintage fridges, red chairs, decorative art, Fauvism, Henri Matisse, David Hockney, colorful painting, and scenes of luminous atmosphere.
Authenticity and Shipping:
The work is offered directly by E. García, guaranteeing its authenticity with a certificate signed by the artist himself. The painting will be carefully rolled and protected inside a sturdy cardboard tube for shipment. After payment is confirmed, a three-day preparation period is required before sending the piece. Delivery time will depend on the destination, with a maximum of up to ten business days.

