Otto Piene (1928-2014) - 'Feuerflora' - ZERO Artist





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Otto Piene, 'Feuerflora', an original bronze coloured silkscreen from 1976 (30 x 21 cm) printed in Germany, in Op-Art style with a mythological theme, unsigned and in good condition.
Description from the seller
Rarer, breathtaking screen print by the German master OTTO PIENE from 1971, here printed in 1976 for the catalogue raisonné.
Title: "Fire Flora"
Vibrant silkscreen, size 30 x 21 cm.
Excellent condition! See photos. Minimal signs of wear on the surface.
Will be SHIPPED FLAT with EXTRA-protective packaging.
Otto Piene was a significant German artist of the postwar era and co-founder of the **ZERO-Gruppe** (1957) together with Heinz Mack and Günther Uecker. The ZERO movement stands for **renewal, light art, kinetic art, Op Art, reduction, movement and spatial effect**. Piene worked intensively with **light installations, grid structures, fire paintings (Fire Paintings), smoke drawings (Smoke Drawings)** and later with **Sky Art and air sculptures**. Together with Mack and Uecker he developed an art of **immateriality, dynamics and perception**, which consciously differentiated itself from Informal and traditional painting and instead relied on **light, energy, time and technology**.
Rarer, breathtaking screen print by the German master OTTO PIENE from 1971, here printed in 1976 for the catalogue raisonné.
Title: "Fire Flora"
Vibrant silkscreen, size 30 x 21 cm.
Excellent condition! See photos. Minimal signs of wear on the surface.
Will be SHIPPED FLAT with EXTRA-protective packaging.
Otto Piene was a significant German artist of the postwar era and co-founder of the **ZERO-Gruppe** (1957) together with Heinz Mack and Günther Uecker. The ZERO movement stands for **renewal, light art, kinetic art, Op Art, reduction, movement and spatial effect**. Piene worked intensively with **light installations, grid structures, fire paintings (Fire Paintings), smoke drawings (Smoke Drawings)** and later with **Sky Art and air sculptures**. Together with Mack and Uecker he developed an art of **immateriality, dynamics and perception**, which consciously differentiated itself from Informal and traditional painting and instead relied on **light, energy, time and technology**.

