Christian Schad (1894-1982) - Knutschloge





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Description from the seller
Christian Schad (1894-1982), Knutschloge, 1929/around 1975.
Lithographs on stiff Velin, 26 x 18.5 cm on 58.5 x 41.5 cm, titled, numbered (ed. a.), signed and dated.
Provenance: Private collection Berlin, from the estate of Christian Schad’s widow.
Condition: Very good. Photos are part of the condition description.
Biography
He was a German painter and graphic artist, known as a major representative of the New Objectivity. He studied in Munich, lived in Switzerland and Paris before settling in Berlin. His works are characterized by a precise, almost photorealistic painting style, through which he critically portrayed the society of the 1920s. He became famous for his experimental “Schadographien” – early forms of the photogram technique. Schad’s art continues to influence modern portrait painting today.
In the 1950s and 1960s, Christian Schad again turned to print graphics, especially linocuts. During this period he stayed several times in Italy, including Venice, where he drew inspiration from classical art and architecture. His linocuts from this phase often depict mythological and religious motifs and reflect an intensive engagement with traditional print techniques. These works mark a late but significant expansion of his artistic oeuvre.
Christian Schad (1894-1982), Knutschloge, 1929/around 1975.
Lithographs on stiff Velin, 26 x 18.5 cm on 58.5 x 41.5 cm, titled, numbered (ed. a.), signed and dated.
Provenance: Private collection Berlin, from the estate of Christian Schad’s widow.
Condition: Very good. Photos are part of the condition description.
Biography
He was a German painter and graphic artist, known as a major representative of the New Objectivity. He studied in Munich, lived in Switzerland and Paris before settling in Berlin. His works are characterized by a precise, almost photorealistic painting style, through which he critically portrayed the society of the 1920s. He became famous for his experimental “Schadographien” – early forms of the photogram technique. Schad’s art continues to influence modern portrait painting today.
In the 1950s and 1960s, Christian Schad again turned to print graphics, especially linocuts. During this period he stayed several times in Italy, including Venice, where he drew inspiration from classical art and architecture. His linocuts from this phase often depict mythological and religious motifs and reflect an intensive engagement with traditional print techniques. These works mark a late but significant expansion of his artistic oeuvre.

