Ben Dauchez - An after noon at Majorelle #3 - XL

Series "An afternoon at Majorelle"

-Title At Majorelle #3
-Print Fine Art 60X80 Numbered signed 1/7 in format
-Certificate Of Authenticity

Fusion of two worlds: multi-exposure allows us to overlay these two universes — that of the formal rigor of Bauhaus and the sensory and historical richness of Morocco. Perhaps the clean lines of Bauhaus intertwine with Moroccan architectural motifs, such as arches, mosaics, and the textures of walls made of earth or stone. This fusion creates a kind of visual dialogue between modernity and tradition.

Conceptual approach: The use of multi-exposure can also symbolize the idea of interaction between the past and the present, between modern and traditional architecture. Morocco, rich in cultural symbols, could be seen here as a testing ground for transposing Western Bauhaus concepts into a more oriental, even Mediterranean, context.

Play of light and color: The contrast between the sharp shadows of Bauhaus and the warm, diffused colors typical of Morocco (ochers, reds, blues, and oranges) could be accentuated. This could offer a poetic dimension where each overlaid image evokes a sense of movement, transformation, and immersion in a hybrid space between East and West.
The impact of multi-exposure:

Temporalities and spatiality
: By overlaying several moments or spaces, the multi-exposure technique could also suggest a temporal experience, as if traveling through different eras or different perceptions of Morocco. This play on time and space echoes notions of fluidity and transition in Bauhaus culture, while drawing from the multiple layers of meaning and history that Morocco embodies.

Cultural and aesthetic duality: Finally, this work could express a reflection on the relationships between Western and Eastern cultures, between the European functionalism of Bauhaus and the sensuality of Moroccan forms. Multi-exposure can create an atmosphere where the two worlds are not opposed but rather interconnected in a single artistic vision.

Passionate about photography from a young age, Ben DAUCHEZ started in the neighborhood studios of La Rochelle. There he acquired all the basics of classic photographic technique, from shooting to retouching and through the lab. At 22, freshly graduated, he moved to Paris to perfect his training by becoming a plate assistant for the Daguerre studios, Le Petit Oiseau va sortir and Studio Zéro. He had the opportunity to collaborate and assist the photographers of the most talented: Bettina RHEIMS, Patrick DEMARCHELIER, Terry RICHARDSON, Ellen VON UNWERTH, Marcus MAM... From certain decisive encounters will be born beautiful projects and long collaborations, notably with André RAU, Bettina RHEIMS (the sultry INRI exhibition and its eponymous book at Editions Albin Michel) and Peter BEARD (Pirelli calendar 2009 in Botswana).
His photos are published, among others, in Condé Nast Editions (French and international), Première, WallPaper, ID, Madame Figaro, Lifestyles, Dandy Magazine... His world also interests brands with very different identity codes for which he has signed institutional and/or advertising campaigns such as Dior (beauty), L'Oréal, Peugeot, Philip Morris or Burger King (Advertising awarded at Dubai Lynx).

Ben DAUCHEZ has also taken numerous portraits of celebrities (IGGY POP, Woody HALLEN, Grace JONES, Jean DUJARDIN, Gilles LELLOUCHE, Olivier MARCHAL, Carole BOUQUET, Charlotte GAINSBOURG, ...) of beauty, men of the world (Olivier DASSAULT, Jacques SEGUELA...) and travelers...
This photographic path has since allowed him to freely immortalize the human beauty, aesthetics and spiritual essence of each personality."