Giuseppe Marino (1956) - Iceberg D






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Giuseppe Marino (1956), Iceberg D, 2023, mixed media on paper, 63 cm high by 43 cm wide, limited edition numbered 01 to 23, hand-signed, depicting a maritime landscape, origin Italy, in excellent condition, sold by Galleria.
Description from the seller
SHIPPING: COMBINED, if you purchase more works in the same Auction you pay only ONE shipping
We invite you to visit our online sales platform “DELAURETISART”
“Iceberg"
Artwork with hand intervention using colored pencils on 400 g/m² artistic paper,
edition of 20 copies numbered from 01 to 20
year 2023
Artist's signature on the front and on the back.
With Certificate of Authenticity
Giuseppe Marino was born in 1956 in Teramo; in his long artistic journey he has produced important cycles, such as post estroflessione, the exploration of the very matter that makes up the work, the influence of spatialism; subsequently the abstract figuration that has exalted the chromatic impact and the dreamlike immersion of the viewer. The latest series of luminous and colorful paintings by Marino and being immersed in his positive and optimistic mindset are incredibly refreshing. The artist has always needed a very critical eye; he has modified his production, choosing, among different versions of the same painting, the one that best achieves the desired effect. The clarity and confidence of the new paintings that were recently shown at international fair editions have demonstrated that his quality control is optimal and that his mastery of the expressive process is truly very good.
Seller's Story
SHIPPING: COMBINED, if you purchase more works in the same Auction you pay only ONE shipping
We invite you to visit our online sales platform “DELAURETISART”
“Iceberg"
Artwork with hand intervention using colored pencils on 400 g/m² artistic paper,
edition of 20 copies numbered from 01 to 20
year 2023
Artist's signature on the front and on the back.
With Certificate of Authenticity
Giuseppe Marino was born in 1956 in Teramo; in his long artistic journey he has produced important cycles, such as post estroflessione, the exploration of the very matter that makes up the work, the influence of spatialism; subsequently the abstract figuration that has exalted the chromatic impact and the dreamlike immersion of the viewer. The latest series of luminous and colorful paintings by Marino and being immersed in his positive and optimistic mindset are incredibly refreshing. The artist has always needed a very critical eye; he has modified his production, choosing, among different versions of the same painting, the one that best achieves the desired effect. The clarity and confidence of the new paintings that were recently shown at international fair editions have demonstrated that his quality control is optimal and that his mastery of the expressive process is truly very good.
