Josep Damián Torres (1921–2008) - La cosecha






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Description from the seller
Pictura Galeria presents this magnificent artwork by Damián Torres, depicting an expansive golden field beneath a hill crowned by an ancient fortress, merging the serenity of nature with the memory and grandeur of history. The painting stands out for its excellent technique and the high pictorial quality it conveys.
· Dimensions of the work: 27x35x1 cm.
· Oil on canvas hand-signed by the artist in the lower-left corner of the piece.
· The work is in good preserved condition.
The piece comes from an exclusive private collection in Girona.
Important note: the included photographs are an integral part of the lot description.
The artwork will be professionally packed by IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price includes both the cost of professional packaging and the transport itself.
Shipping will be by Correos or GLS with tracking. International shipping available.
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This painting presents a wide rural landscape in which a golden field stretches to the feet of a hill crowned by an imposing architectural formation. The scene blends the warmth of cultivated earth with the depth of greens and the changing intensity of the sky, building a solemn and deeply evocative vision. From the first moment, the gaze is guided from the stalks in the foreground to the monumental silhouette on the horizon, following a path full of contrasts and nuances.
The field occupies almost the entire lower half of the composition and becomes an expansive surface of golden tones, ochres, beiges, and browns. The abundance of small vertical forms suggests mature cultivation, ready for harvest, gently moved by the breeze. The chromatic richness of this area conveys fertility and links the scene to the cycles of nature, agricultural work, and the fullness of summer.
In the closest part to the viewer, the vegetation displays a wide variety of shades. Among the toasted tones appear small flashes of white, pink, green, and yellow that break the uniformity of the field and bring vitality. These variations make the surface seem to advance outward from the frame, allowing one to imagine the texture of the plants and the irregular movement of the stalks in the wind.
As the gaze moves toward the center, the field becomes brighter and clearer. This light band acts as a transition between the foreground vegetation and the dark mass of trees at the foot of the hills. The contrast between both spaces creates depth and establishes a natural separation between the cultivated land and the elevations dominating the background.
The line of trees and shrubs appears built with deep greens, dark blues, and almost blacks, forming a dense and mysterious vegetal barrier. Some canopies are individualised by green and yellow accents, while others blend into a continuous mass. This dark band intensifies the field’s luminosity and provides a solid base on which the mountains rise.
In the middle ground, the hills show an extraordinary variety of greens. Emerald, olive, blue-green, and grayish tones are distributed along the undulations of the terrain and suggest slopes covered with vegetation, paths, and rocky areas. Light seems to travel irregularly over the slopes, leaving some spaces illuminated and others in shadow, which adds volume and drama to the landscape.
The composition reaches its greatest intensity at the top of the hills, where a large ancient-looking fortified structure rises. Its dark volumes seem to merge with the rock, as if the architecture had been born from the mountain itself. Towers, walls, and irregular profiles successively line the summit, creating a monumental silhouette that conveys history, resilience, and mystery.
The construction may evoke an ancient fortress, a castle, or the remains of a settlement perched above the territory. Its dominant position suggests a place designed to observe and protect the surrounding fields. Although the details are veiled by distance, the power of its profile awakens the imagination and invites thoughts of the generations that inhabited that enclave and contemplated the same landscape from above.
The sky occupies a wide area of the work and actively participates in its atmosphere. The blues, grays, whites, and delicate violet tints form a changing space, traversed by clouds that seem to drift slowly. The clarity of some areas contrasts with others denser, creating the impression of a variable day in which light appears and disappears over the fields.
This instability of the sky introduces a gentle tension to the scene. The landscape is not under uniform lighting but subjected to changes that affect each plane differently. The field remains warm and bright, while the hills and the architecture take on deeper tones. The contrast reinforces the almost legendary character of the fortress and makes it a silent presence beneath the clouds.
The structure of the composition is organized by broad horizontal bands: the golden field, the dark vegetation, the green hills, the summit construction, and the sky. This arrangement provides balance and allows a clear perception of depth. At the same time, the vertical forms of the stalks and the elevated profiles of the fortress introduce a rhythm that animates the scene and avoids any sense of excessive stillness.
The absence of human figures gives the landscape an atmosphere of solitude and contemplation. However, the presence of cultivation and architecture reveals the trace of those who have worked and inhabited the territory. The field speaks of daily effort and the continuity of life, while the fortress represents historical memory. The work thus brings together two temporalities: the renewable cycle of nature and the silent permanence of the past.
The painting conveys a deep connection between land and history. The construction is not separate from its surroundings but integrated into the hills and visually linked to the fields that extend at its feet. This relationship transforms the landscape into something more than a natural view: it becomes a territory charged with memories, identity, and stories that seem to endure among the stones and vegetation.
Overall, the work offers a majestic and evocative vision of a golden field leading up to a hill crowned by an ancient fortress. The warmth of the stalks, the depth of the green slopes, and the drama of the sky create a composition rich in contrasts and emotion. It is a landscape that conveys serenity, memory, and grandeur, capable of imparting to any room a powerful sense of spaciousness, rootedness, and timeless beauty.
Pictura Galeria presents this magnificent artwork by Damián Torres, depicting an expansive golden field beneath a hill crowned by an ancient fortress, merging the serenity of nature with the memory and grandeur of history. The painting stands out for its excellent technique and the high pictorial quality it conveys.
· Dimensions of the work: 27x35x1 cm.
· Oil on canvas hand-signed by the artist in the lower-left corner of the piece.
· The work is in good preserved condition.
The piece comes from an exclusive private collection in Girona.
Important note: the included photographs are an integral part of the lot description.
The artwork will be professionally packed by IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price includes both the cost of professional packaging and the transport itself.
Shipping will be by Correos or GLS with tracking. International shipping available.
------------------------------------------------------------------
This painting presents a wide rural landscape in which a golden field stretches to the feet of a hill crowned by an imposing architectural formation. The scene blends the warmth of cultivated earth with the depth of greens and the changing intensity of the sky, building a solemn and deeply evocative vision. From the first moment, the gaze is guided from the stalks in the foreground to the monumental silhouette on the horizon, following a path full of contrasts and nuances.
The field occupies almost the entire lower half of the composition and becomes an expansive surface of golden tones, ochres, beiges, and browns. The abundance of small vertical forms suggests mature cultivation, ready for harvest, gently moved by the breeze. The chromatic richness of this area conveys fertility and links the scene to the cycles of nature, agricultural work, and the fullness of summer.
In the closest part to the viewer, the vegetation displays a wide variety of shades. Among the toasted tones appear small flashes of white, pink, green, and yellow that break the uniformity of the field and bring vitality. These variations make the surface seem to advance outward from the frame, allowing one to imagine the texture of the plants and the irregular movement of the stalks in the wind.
As the gaze moves toward the center, the field becomes brighter and clearer. This light band acts as a transition between the foreground vegetation and the dark mass of trees at the foot of the hills. The contrast between both spaces creates depth and establishes a natural separation between the cultivated land and the elevations dominating the background.
The line of trees and shrubs appears built with deep greens, dark blues, and almost blacks, forming a dense and mysterious vegetal barrier. Some canopies are individualised by green and yellow accents, while others blend into a continuous mass. This dark band intensifies the field’s luminosity and provides a solid base on which the mountains rise.
In the middle ground, the hills show an extraordinary variety of greens. Emerald, olive, blue-green, and grayish tones are distributed along the undulations of the terrain and suggest slopes covered with vegetation, paths, and rocky areas. Light seems to travel irregularly over the slopes, leaving some spaces illuminated and others in shadow, which adds volume and drama to the landscape.
The composition reaches its greatest intensity at the top of the hills, where a large ancient-looking fortified structure rises. Its dark volumes seem to merge with the rock, as if the architecture had been born from the mountain itself. Towers, walls, and irregular profiles successively line the summit, creating a monumental silhouette that conveys history, resilience, and mystery.
The construction may evoke an ancient fortress, a castle, or the remains of a settlement perched above the territory. Its dominant position suggests a place designed to observe and protect the surrounding fields. Although the details are veiled by distance, the power of its profile awakens the imagination and invites thoughts of the generations that inhabited that enclave and contemplated the same landscape from above.
The sky occupies a wide area of the work and actively participates in its atmosphere. The blues, grays, whites, and delicate violet tints form a changing space, traversed by clouds that seem to drift slowly. The clarity of some areas contrasts with others denser, creating the impression of a variable day in which light appears and disappears over the fields.
This instability of the sky introduces a gentle tension to the scene. The landscape is not under uniform lighting but subjected to changes that affect each plane differently. The field remains warm and bright, while the hills and the architecture take on deeper tones. The contrast reinforces the almost legendary character of the fortress and makes it a silent presence beneath the clouds.
The structure of the composition is organized by broad horizontal bands: the golden field, the dark vegetation, the green hills, the summit construction, and the sky. This arrangement provides balance and allows a clear perception of depth. At the same time, the vertical forms of the stalks and the elevated profiles of the fortress introduce a rhythm that animates the scene and avoids any sense of excessive stillness.
The absence of human figures gives the landscape an atmosphere of solitude and contemplation. However, the presence of cultivation and architecture reveals the trace of those who have worked and inhabited the territory. The field speaks of daily effort and the continuity of life, while the fortress represents historical memory. The work thus brings together two temporalities: the renewable cycle of nature and the silent permanence of the past.
The painting conveys a deep connection between land and history. The construction is not separate from its surroundings but integrated into the hills and visually linked to the fields that extend at its feet. This relationship transforms the landscape into something more than a natural view: it becomes a territory charged with memories, identity, and stories that seem to endure among the stones and vegetation.
Overall, the work offers a majestic and evocative vision of a golden field leading up to a hill crowned by an ancient fortress. The warmth of the stalks, the depth of the green slopes, and the drama of the sky create a composition rich in contrasts and emotion. It is a landscape that conveys serenity, memory, and grandeur, capable of imparting to any room a powerful sense of spaciousness, rootedness, and timeless beauty.
