Joan Torres de Torres (1953) - Costa mediterránea

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Giulia Couzzi
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Selected by Giulia Couzzi

Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.

Estimate  € 300 - € 500
IT
€2

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Description from the seller

Pictura Galeria presents this magnificent work of art belonging to Torres de Torres, which depicts a serene bay with a curved beach and a small coastal town sheltered by the hills, in an atmosphere of calm, silence, and gentle melancholy. The painting stands out for its excellent technique and the great pictorial quality it conveys.

· Frame dimensions: 41x58x4 cm.
· Artwork dimensions: 38x55 cm.
· Oil on canvas signed by hand by the artist in the lower left corner, Torres de Torres.
· The piece is in good condition.
· The work is sold with a precious frame (included in the auction as a gift).

The work comes from an exclusive private collection in Girona.

Important note: the photographs included are an integral part of the lot description. Digital representation in mockup is indicative; there may be differences with the actual item in color, scale, and details.

The artwork will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packaging and the transportation itself.
Shipping will be carried out by Correos or GLS with tracking. International shipping available.

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This painting depicts a tranquil coastal bay viewed from an elevated perspective, where a sandy beach curves gently to meet a small cluster of houses at the foot of the hills. The composition is dominated by the expanse of water, which occupies a large part of the surface and conveys an immediate sense of depth, silence, and contemplation. The landscape is wrapped in a soft light that unifies the sea, the coast, and the mountains under a serene and slightly mysterious atmosphere.

The beach extends from the left margin and advances diagonally toward the center of the scene. Its curved shape creates a natural path that guides the eye from the foreground to the background structures. The ochres, beiges, muted golds, and soft browns differentiate the sand from the water and add a warm note within a composition dominated by cool colors.

The line where the sea meets the shore is marked by a succession of small white and grayish reflections. These luminous bands suggest the gentle movement of waves breaking on the sand. The surf appears calm, not violent, reinforcing the impression of a protected bay and a day when nature remains at rest.

The water becomes the great visual protagonist of the work. Deep greens, bluish grays, muted turquoises, and violets blend to form a changing surface full of nuances. Color variations evoke the depth of the sea, the reflection of the sky, and the presence of currents that discreetly run through the bay.

In the areas closest to the shore, clear reflections provide movement and brightness. As the gaze moves toward the center, the water takes on darker, denser tones, creating a sense of depth. Toward the right, some lighter blues and greens reappear to light up the surface, establishing a delicate balance between light and shadow.

The vastness of the sea provides a breathing space against the richness of detail concentrated on the horizon. The absence of boats and human figures intensifies the sense of quiet, as if the scene had been captured in a moment of especially stillness. This calm turns the bay into an intimate space, apart from daily movement.

In the background rises a small coastal village formed by light-colored houses with reddish roofs. The structures cluster near the water and are distributed irregularly along the coast. Their white and cream tones stand out against the dark greens of the vegetation, providing small points of light that animate the horizon without breaking the overall serenity.

The population seems to be fully integrated into the landscape. The houses do not dominate nature, but rather fit between the shore and the slopes, following the contours of the terrain. This harmonious relationship between architecture, mountains, and sea conveys a sense of rootedness and life closely tied to the coastal environment.

Behind the village rise several hills covered with vegetation. Their broad, undulating profiles close the bay and create the impression of a protected space. Olive greens, browns, grays, and almost black tones are distributed across the slopes, while some small light spots suggest scattered homes or distant lit areas.

The mountain in the center has an especially prominent presence. Its slope gently descends toward the water and frames the coastal population. The dark areas of its surface contrast with the light houses at the base, reinforcing depth and making the village seem even smaller in the face of the landscape’s grandeur.

The sky occupies a relatively narrow band at the top and appears composed of grays, warm whites, and slight greenish hues. Its muted tone suggests a cloudy day, perhaps in the early morning or late afternoon. The diffused light avoids harsh contrasts and wraps the scene in a uniform, soft, melancholic atmosphere.

The composition is articulated through an elegant succession of curved and horizontal lines. The shore guides the gaze to the village, the water’s surface creates breadth, and the mountains close the journey in the distance. This balance between openness and protection gives the scene a harmonious structure and encourages slow, thoughtful contemplation.

The landscape awakens a strong sense of nostalgia. The empty beach, the silent village, and the contained light seem to preserve the memory of a place known or a day past by the sea. There is no concrete event, but precisely that absence allows the viewer to project their own memories and emotions onto the scene.

There is also a deep connection between the coast and the village’s daily life. The houses near the water suggest a community historically linked to the sea, its changes, and rhythms. The bay thus appears not only as a natural element but as the silent center around which the entire landscape is organized.

Overall, the work offers an intimate and immersive view of a tranquil bay, with its curved beach, its deep waters, and a small village sheltered among green hills. The harmony of cool tones, the diffused light, and the absence of movement create an atmosphere of calm, melancholy, and timeless beauty. It is a landscape capable of bringing serenity and depth to any space, evoking the silence of the sea and the emotion of contemplating the coast from a distance.

Pictura Galeria presents this magnificent work of art belonging to Torres de Torres, which depicts a serene bay with a curved beach and a small coastal town sheltered by the hills, in an atmosphere of calm, silence, and gentle melancholy. The painting stands out for its excellent technique and the great pictorial quality it conveys.

· Frame dimensions: 41x58x4 cm.
· Artwork dimensions: 38x55 cm.
· Oil on canvas signed by hand by the artist in the lower left corner, Torres de Torres.
· The piece is in good condition.
· The work is sold with a precious frame (included in the auction as a gift).

The work comes from an exclusive private collection in Girona.

Important note: the photographs included are an integral part of the lot description. Digital representation in mockup is indicative; there may be differences with the actual item in color, scale, and details.

The artwork will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packaging and the transportation itself.
Shipping will be carried out by Correos or GLS with tracking. International shipping available.

------------------------------------------------------------------

This painting depicts a tranquil coastal bay viewed from an elevated perspective, where a sandy beach curves gently to meet a small cluster of houses at the foot of the hills. The composition is dominated by the expanse of water, which occupies a large part of the surface and conveys an immediate sense of depth, silence, and contemplation. The landscape is wrapped in a soft light that unifies the sea, the coast, and the mountains under a serene and slightly mysterious atmosphere.

The beach extends from the left margin and advances diagonally toward the center of the scene. Its curved shape creates a natural path that guides the eye from the foreground to the background structures. The ochres, beiges, muted golds, and soft browns differentiate the sand from the water and add a warm note within a composition dominated by cool colors.

The line where the sea meets the shore is marked by a succession of small white and grayish reflections. These luminous bands suggest the gentle movement of waves breaking on the sand. The surf appears calm, not violent, reinforcing the impression of a protected bay and a day when nature remains at rest.

The water becomes the great visual protagonist of the work. Deep greens, bluish grays, muted turquoises, and violets blend to form a changing surface full of nuances. Color variations evoke the depth of the sea, the reflection of the sky, and the presence of currents that discreetly run through the bay.

In the areas closest to the shore, clear reflections provide movement and brightness. As the gaze moves toward the center, the water takes on darker, denser tones, creating a sense of depth. Toward the right, some lighter blues and greens reappear to light up the surface, establishing a delicate balance between light and shadow.

The vastness of the sea provides a breathing space against the richness of detail concentrated on the horizon. The absence of boats and human figures intensifies the sense of quiet, as if the scene had been captured in a moment of especially stillness. This calm turns the bay into an intimate space, apart from daily movement.

In the background rises a small coastal village formed by light-colored houses with reddish roofs. The structures cluster near the water and are distributed irregularly along the coast. Their white and cream tones stand out against the dark greens of the vegetation, providing small points of light that animate the horizon without breaking the overall serenity.

The population seems to be fully integrated into the landscape. The houses do not dominate nature, but rather fit between the shore and the slopes, following the contours of the terrain. This harmonious relationship between architecture, mountains, and sea conveys a sense of rootedness and life closely tied to the coastal environment.

Behind the village rise several hills covered with vegetation. Their broad, undulating profiles close the bay and create the impression of a protected space. Olive greens, browns, grays, and almost black tones are distributed across the slopes, while some small light spots suggest scattered homes or distant lit areas.

The mountain in the center has an especially prominent presence. Its slope gently descends toward the water and frames the coastal population. The dark areas of its surface contrast with the light houses at the base, reinforcing depth and making the village seem even smaller in the face of the landscape’s grandeur.

The sky occupies a relatively narrow band at the top and appears composed of grays, warm whites, and slight greenish hues. Its muted tone suggests a cloudy day, perhaps in the early morning or late afternoon. The diffused light avoids harsh contrasts and wraps the scene in a uniform, soft, melancholic atmosphere.

The composition is articulated through an elegant succession of curved and horizontal lines. The shore guides the gaze to the village, the water’s surface creates breadth, and the mountains close the journey in the distance. This balance between openness and protection gives the scene a harmonious structure and encourages slow, thoughtful contemplation.

The landscape awakens a strong sense of nostalgia. The empty beach, the silent village, and the contained light seem to preserve the memory of a place known or a day past by the sea. There is no concrete event, but precisely that absence allows the viewer to project their own memories and emotions onto the scene.

There is also a deep connection between the coast and the village’s daily life. The houses near the water suggest a community historically linked to the sea, its changes, and rhythms. The bay thus appears not only as a natural element but as the silent center around which the entire landscape is organized.

Overall, the work offers an intimate and immersive view of a tranquil bay, with its curved beach, its deep waters, and a small village sheltered among green hills. The harmony of cool tones, the diffused light, and the absence of movement create an atmosphere of calm, melancholy, and timeless beauty. It is a landscape capable of bringing serenity and depth to any space, evoking the silence of the sea and the emotion of contemplating the coast from a distance.

Details

Artist
Joan Torres de Torres (1953)
Sold with frame
Yes
Sold by
Gallery
Edition
Original
Title of artwork
Costa mediterránea
Technique
Oil painting
Signature
Hand signed
Country of origin
Spain
Condition
Good condition
Height
41 cm
Width
58 cm
Style
Post-Impressionism
Period
1990-2000
SpainVerified
1945
Objects sold
100%
protop

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