Bernhard Jäger (1935) - offene Form

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Bernhard Jäger, titled "offene Form", is a colour lithography in a limited edition (66/100) with mixed techniques and a portrait depiction, produced in Germany in the 1960s–1970s, signed in pencil on the lower edge, image size 56 x 38 cm (sheet 58 x 42 cm), in good condition and weighing 50 g.

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Description from the seller

Medium: color lithography on paper
Dating: 1970s
Numbered: 66/100
Signed: with pencil on the bottom
Condition: In good condition
Titled: "offene Form"
Sheet size: 58 x 42 cm; image size: 56 x 38 cm.

Painter, printmaker, and sculptor Bernhard Jager was born in Munich on June 17, 1935. Jager first pursued biology from 1956 to 1957, a subject that influenced much of his art throughout his career, before switching to art studies at the Werkkunstschule Offenbach. After graduation in 1961 he co-founded the Gulliver-Presse with fellow lithographer Thomas Bayrle, beginning a secondary career as a publisher until the year 1966. One of the first books they published was by Ernst Jandl (Hosi-Anna!, 1965) and was illustrated with lithographs by both Bayrle and Jager.

Jager continued to illustrate books after the press came to an end. In 1970, 1984 and 1994 books illustrated by Jager were awarded the prize "Die schonsten Bucher des Jahres" by the Stiftung Buchkunst. In 2007 he designed thirty book covers for Jorges Juis Broges' "The Library of Babel" published by the Gutenberg Book Guild.

From 1983 to 1984 he was a guest lecturer at the Städelschule in Frankfurt am Main, and from 1985 onwards he headed their evening school until 2000. In 1990 he held a visiting professorship at the Hamburg University of Applied Sciences. Solo shows include: Klingspor Museum, Offenbach am Main (1968); Galerie Brusberg, Hanover (1972); AAA Associated American Artists, new York (1975); Mannheim Art Association, Mannheim (1977); Gunzenhauser Gallery, Munich (1985); Kunstverein Wetzlar, Wetzlar (1988); City Museum Ludwigshafen (1994); Klingspor Museum (2007); retrospective of paintings, drawings, woodcuts, and book art at the Speyer City Gallery (2016).

Group exhibitions include: "Writing and Picture," Stedelijk Museum, Amsterdam (1963); Exhibition of Art Prize for Youth, Baden-Baden Gallery (1963); Documenta III, Kassel (1964); "Signals, Manifestos, Protests," Kunsthalle Recklinghausen (1965); "Graphics '70, Germany," San Francisco Museum of Modern Art (1970); "German Graphic Design in the 20th Century," Kestnergesellschaft, Hanover (1995); "The Art of Printing With Stones," Klingspor Museum (1996); "Masterpieces of Lithography," Klingspor Museum (2017).

Bernhard Jager is a member of the Darmstadt Secession. In 1998 he won the Prize of Heitland Foundation. Works in public collections (selection): Stedelijk Museum, Amsterdam; Museum of Fine Arts, Boston; Rose Art Museum, Brunswick; San Francisco Museum of Art; Kunsthalle Nurnberg; Klingspor Museum, Offenbach

Medium: color lithography on paper
Dating: 1970s
Numbered: 66/100
Signed: with pencil on the bottom
Condition: In good condition
Titled: "offene Form"
Sheet size: 58 x 42 cm; image size: 56 x 38 cm.

Painter, printmaker, and sculptor Bernhard Jager was born in Munich on June 17, 1935. Jager first pursued biology from 1956 to 1957, a subject that influenced much of his art throughout his career, before switching to art studies at the Werkkunstschule Offenbach. After graduation in 1961 he co-founded the Gulliver-Presse with fellow lithographer Thomas Bayrle, beginning a secondary career as a publisher until the year 1966. One of the first books they published was by Ernst Jandl (Hosi-Anna!, 1965) and was illustrated with lithographs by both Bayrle and Jager.

Jager continued to illustrate books after the press came to an end. In 1970, 1984 and 1994 books illustrated by Jager were awarded the prize "Die schonsten Bucher des Jahres" by the Stiftung Buchkunst. In 2007 he designed thirty book covers for Jorges Juis Broges' "The Library of Babel" published by the Gutenberg Book Guild.

From 1983 to 1984 he was a guest lecturer at the Städelschule in Frankfurt am Main, and from 1985 onwards he headed their evening school until 2000. In 1990 he held a visiting professorship at the Hamburg University of Applied Sciences. Solo shows include: Klingspor Museum, Offenbach am Main (1968); Galerie Brusberg, Hanover (1972); AAA Associated American Artists, new York (1975); Mannheim Art Association, Mannheim (1977); Gunzenhauser Gallery, Munich (1985); Kunstverein Wetzlar, Wetzlar (1988); City Museum Ludwigshafen (1994); Klingspor Museum (2007); retrospective of paintings, drawings, woodcuts, and book art at the Speyer City Gallery (2016).

Group exhibitions include: "Writing and Picture," Stedelijk Museum, Amsterdam (1963); Exhibition of Art Prize for Youth, Baden-Baden Gallery (1963); Documenta III, Kassel (1964); "Signals, Manifestos, Protests," Kunsthalle Recklinghausen (1965); "Graphics '70, Germany," San Francisco Museum of Modern Art (1970); "German Graphic Design in the 20th Century," Kestnergesellschaft, Hanover (1995); "The Art of Printing With Stones," Klingspor Museum (1996); "Masterpieces of Lithography," Klingspor Museum (2017).

Bernhard Jager is a member of the Darmstadt Secession. In 1998 he won the Prize of Heitland Foundation. Works in public collections (selection): Stedelijk Museum, Amsterdam; Museum of Fine Arts, Boston; Rose Art Museum, Brunswick; San Francisco Museum of Art; Kunsthalle Nurnberg; Klingspor Museum, Offenbach

Details

Artist
Bernhard Jäger (1935)
Edition number
66/100
Edition
Limited edition
Sold by
Owner or reseller
Title of artwork
offene Form
Technique
Lithograph, Mixed technique
Signature
Hand signed
Country of origin
Germany
Condition
Good condition
Colour
Black, Green, Pink, Yellow
Height
58 cm
Width
42 cm
Weight
50 g
Depiction/theme
Portrait
Style
Neo-Expressionism
Period
1960-1970
Sold with frame
No
The NetherlandsVerified
1232
Objects sold
100%
protop

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